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Marriage of the Virgin, 1486-90 (fresco)
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Marriage of the Virgin, 1486-90 (fresco)
5054038 Marriage of the Virgin, 1486-90 (fresco) by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); width: 450 cm; Santa Maria Novella, Florence, Italy; PicturesNow/UIG; Italian, out of copyright
Media ID 22322498
© PicturesNow/UIG / Bridgeman Images
Anne Barrel Vault Barrel Vaulted Coffered Depth Drapery Early Renaissance Exchange Exchanging Florentine Grisaille Grotesques Guests Joseph Life Of The Virgin Linear Perspective Perspective Ring Rings Trompe L Oeil Trompe Loeil Vows Ecclesiastical Monks Religious Orders
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This print captures the essence of Domenico Ghirlandaio's masterpiece, "Marriage of the Virgin". Painted between 1486 and 1490 as a fresco in Santa Maria Novella, Florence, this artwork showcases the early Renaissance style at its finest. The image transports us to a sacred moment where two figures exchange vows in front of an assembled crowd. The scene unfolds within a grand church adorned with intricate architectural details. The barrel-vaulted ceiling adds depth to the composition while linear perspective enhances the overall sense of space. As we delve deeper into the painting, we notice musicians playing melodious tunes that fill the air with joyous celebration. The bride and groom stand at the center, surrounded by saints and religious figures who bear witness to their union. A priest officiates over this holy ceremony while guests look on with reverence and admiration. The drapery gracefully cascades around them, emphasizing their love and commitment. Ghirlandaio's attention to detail is evident in every brushstroke; from delicate facial expressions to meticulously painted grotesques adorning coffered ceilings. This trompe l'oeil technique creates an illusionary effect that captivates viewers even centuries later. As we gaze upon this remarkable piece of art captured by Bridgeman Images, we are reminded of how marriage has been celebrated throughout history – a sacred bond filled with love and devotion that transcends time itself.
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