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Royal Mausoleum of Mauretania, called Tomb of the Christian
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Royal Mausoleum of Mauretania, called Tomb of the Christian
GDG233873 Royal Mausoleum of Mauretania, called Tomb of the Christian because of the crosses moulded on the false doors (see also 233874) (photo) by Roman Republican Period (509-27 BC); Tipasa, Algeria; (add.info.: Maybe tomb of Sosus-Mastanesosus (80-49 BC) or Bocchus the Young (49-33 BC)? Tipasa has been founded by the Phoenicians; it was made a Roman military colony by the emperor Claudius; Christianity was early introduced and in the third century the town was a Bishop see; mausolee; Mauritanie Cesarienne; Tipaza; Tombeau de la Chretienne; ); eGerard Degeorge; out of copyright
Media ID 23363980
© Gerard Degeorge / Bridgeman Images
Algerian Archaeological Site Circular Columns North African Remain
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EDITORS COMMENTS
This print showcases the Royal Mausoleum of Mauretania, also known as the Tomb of the Christian. The name derives from the intricate crosses that are delicately molded onto its false doors, adding a touch of religious symbolism to this ancient structure. Dating back to the Roman Republican Period between 509-27 BC, this remarkable mausoleum is located in Tipasa, Algeria. The origins and purpose of this tomb remain somewhat mysterious. It has been suggested that it may have served as the final resting place for notable figures such as Sosus-Mastanesosus or Bocchus the Young during their respective reigns in history. Tipasa itself was founded by Phoenicians and later became a Roman military colony under Emperor Claudius. Over time, Christianity took root in Tipasa and by the third century, it had become an important Bishop see. This rich historical background adds depth and intrigue to this architectural wonder. The circular shape of the mausoleum is accentuated by its impressive columns, which stand tall against the backdrop of North African ruins. Its unique design reflects both Roman and North African architectural influences, making it a truly fascinating archaeological site. Through Gerard Degeorge's lens, we can appreciate not only the beauty but also feel a sense of awe at witnessing such an extraordinary piece of history captured forever on print.
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