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Plate 396. Pounding with a Mallet, 1872-85 (collotype on paper)
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Plate 396. Pounding with a Mallet, 1872-85 (collotype on paper)
3950093 Plate 396. Pounding with a Mallet, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.2x46.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume II, Males (Nude)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 22312226
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Early Motion Picture Sequence Frames Hammer Hammering Heavy Hitting Implement Mallet Motion Sequence Sequential Stop Motion Strong Tool B W Photo Black And White Photograph
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This photograph, titled "Plate 396. Pounding with a Mallet" captures a moment frozen in time from Eadweard Muybridge's groundbreaking series, "Animal Locomotion". Taken between 1872 and 1885, this collotype print showcases the early stages of motion picture sequences. The image depicts a male figure, completely nude, engaged in an intense action of pounding with a mallet. The sheer strength and force emanating from his muscular physique are palpable as he wields the heavy tool. Muybridge's meticulous study of movement is evident in this sequential frame that captures the essence of human motion. As one delves into this scientific photograph, it becomes clear that it transcends mere documentation. It offers us insight into the intricate mechanics of our own bodies while simultaneously inviting us to marvel at their capabilities. The stark contrast between light and shadow adds depth to the composition, enhancing its visual impact. Displayed at the Addison Gallery of American Art in Andover, MA, USA, this print serves as a testament to Muybridge's pioneering work in photography and his contribution to understanding human locomotion. With each strike of the hammer frozen forever on paper through collotype printing techniques, we are reminded not only of our physicality but also our boundless potential for creation and innovation.
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