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Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631)
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Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631)
CHT175021 Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris, France; © Archives Charmet
Media ID 25456708
© Archives Charmet / Bridgeman Images
Angst Anguish Anxiety Corpse Francisco De Goya Francisco José De Goya Y Lucientes Goya Goya Y Lucientes Hanged Man Incantation Occult Occult Science Occultism Parascience Social Criticism Spiritualism Superstition Witchcraft Witches Sabbath Wizardry Fear
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Out Hunting for Teeth
EDITORS COMMENTS
is a captivating and thought-provoking print from the late 18th century, created by the renowned Spanish artist Francisco Jose de Goya y Lucientes. This coloured etching, part of his series "Los caprichos" delves into themes of superstition, social criticism, and witchcraft. The image depicts a scene filled with eerie symbolism and dark undertones. A hanged man's corpse hangs ominously in the background while figures anxiously search for teeth in the foreground. The composition exudes fear and anguish as it explores human mortality and our innate fear of death. Goya's satirical approach invites viewers to question societal norms and beliefs surrounding occult sciences such as wizardry, incantation, and spiritualism prevalent during that era. Through this artwork, he challenges conventional wisdom by exposing the irrationality behind these practices. As one of Spain's most celebrated artists, Goya masterfully captures anxiety and angst through his intricate engravings. His works often delve into darker aspects of human existence while shedding light on societal issues prevalent at the time. This print serves as a testament to Goya's exceptional talent in creating visually striking compositions that provoke introspection among viewers. It stands as an enduring example of his ability to merge artistry with social commentary seamlessly.
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