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Francisco De Goya Collection

Francisco de Goya, a renowned Spanish artist from the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works

Background imageFrancisco De Goya Collection: The Naked Maja, c1800. Artist: Francisco Goya

The Naked Maja, c1800. Artist: Francisco Goya
The Naked Maja, (la Maja Desnuda), c1800. One of two paintings of the same woman in the same pose and also one of the few nude portraits in Spain at this time

Background imageFrancisco De Goya Collection: Portrait of Field Marshal Arthur Wellesley, 1st Duke of Wellington, c1814. Artist: Francisco Goya

Portrait of Field Marshal Arthur Wellesley, 1st Duke of Wellington, c1814. Artist: Francisco Goya
Portrait of Field Marshal Arthur Wellesley, 1st Duke of Wellington, c1814. Found in the collection of the National Gallery, London

Background imageFrancisco De Goya Collection: Little Prisoner, 1867. Creator: Francisco de Goya (Spanish, 1746-1828)

Little Prisoner, 1867. Creator: Francisco de Goya (Spanish, 1746-1828)
Little Prisoner, 1867

Background imageFrancisco De Goya Collection: Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya

Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya
Plate 80 from Los Caprichos : It is time (Ya es hora.), 1799

Background imageFrancisco De Goya Collection: Ridiculous Dream, 1819-1823. Artist: Francisco Goya

Ridiculous Dream, 1819-1823. Artist: Francisco Goya
Ridiculous Dream, 1819-1823. Plate 3 of Proverbs, published in 1864. The series is also known as disparates (absurdities) or suenos (dreams)

Background imageFrancisco De Goya Collection: Saint Ambrose, c. 1796-1799. Creator: Francisco de Goya (Spanish, 1746-1828)

Saint Ambrose, c. 1796-1799. Creator: Francisco de Goya (Spanish, 1746-1828)
Saint Ambrose, c. 1796-1799. This work belongs to a series depicting Ambrose, Jerome, Augustine, and Gregory, key figures of early Catholicism

Background imageFrancisco De Goya Collection: Francisco de Goya (Spanish, 1746-1828). Sopla. (Blow. ), 1796-1797. From Los Caprichos, no

Francisco de Goya (Spanish, 1746-1828). Sopla. (Blow. ), 1796-1797. From Los Caprichos, no
Francisco de Goya (Spanish, 1746-1828). Sopla. (Blow.), 1796-1797. From Los Caprichos, no. 69. Etching, aquatint, drypoint, and burin on cream laid paper. Plate: 210 mm x 150 mm (8.27 in. x 5.91 in.)

Background imageFrancisco De Goya Collection: Francisco de Goya, El celebre Fernando del Toro, barilarguero, obligando a la fiera

Francisco de Goya, El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique), Spanish

Background imageFrancisco De Goya Collection: Portrait of the spanish artist Goya (engraving)

Portrait of the spanish artist Goya (engraving)
6266107 Portrait of the spanish artist Goya (engraving); (add.info.: Portrait of Francisco de Goya. Francisco Jose de Goya y Lucientes, 1746-1828. Spanish painter and printmaker)

Background imageFrancisco De Goya Collection: Francisco de Goya (1746-1828)

Francisco de Goya (1746-1828)
3499693 Francisco de Goya (1746-1828); (add.info.: Francisco de Goya (1746-1828). Spanish painter and engraver. The Road to Hell, 1818. Drawing on black pencil. National Library

Background imageFrancisco De Goya Collection: Truth, Time and History, late 18th-early 19th century. Creator: Francisco Goya

Truth, Time and History, late 18th-early 19th century. Creator: Francisco Goya
Truth, Time and History, late 18th-early 19th century

Background imageFrancisco De Goya Collection: The Architect Ventura Rodriguez, 1784. Creator: Francisco Goya

The Architect Ventura Rodriguez, 1784. Creator: Francisco Goya
The Architect Ventura Rodriguez, 1784

Background imageFrancisco De Goya Collection: Poetry and Poets, 1800s. Creator: Francisco Goya

Poetry and Poets, 1800s. Creator: Francisco Goya
Poetry and Poets, 1800s. Poetry is symbolised by a woman with a lyre. She is seated near the top of Mount Helicon, abode of the muses, goddesses of poetry

Background imageFrancisco De Goya Collection: Portrait of Don Ramón Satué, 1823. Creator: Francisco Goya

Portrait of Don Ramón Satué, 1823. Creator: Francisco Goya
Portrait of Don Ramon Satue, 1823. Other Title(s): Portrait of Don Ramon Satue y Allue (1765-1824) Alcalde de Corte (Judge of the Fifth Chamber of the Council of Castile in La Corte)

Background imageFrancisco De Goya Collection: Skinned Head of an Ox, 1688-1691. Creators: Francisco Goya, Felice Boselli

Skinned Head of an Ox, 1688-1691. Creators: Francisco Goya, Felice Boselli
Skinned Head of an Ox, 1688-1691

Background imageFrancisco De Goya Collection: Costume of the Time of Goya, n.d. Creator: Mariano Jose Maria Bernardo Fortuny y Carbo

Costume of the Time of Goya, n.d. Creator: Mariano Jose Maria Bernardo Fortuny y Carbo
Costume of the Time of Goya, n.d

Background imageFrancisco De Goya Collection: Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya

Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya
Pllate 60 from Los Caprichos : Trials (Ensayos.), 1799

Background imageFrancisco De Goya Collection: Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799

Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799

Background imageFrancisco De Goya Collection: La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya

La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco Goya
La Maja Desnuda, (The Naked Maja), c.1797-1800, (c1934). Possibly commissioned by Manuel de Godoy, to hang in his private collection An image of Venus in the nude

Background imageFrancisco De Goya Collection: They make their toilet, c.1820 (engraving)

They make their toilet, c.1820 (engraving)
PCT4265532 They make their toilet, c.1820 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Engraving by Francisco Goya y Lucientes (1746-1828)

Background imageFrancisco De Goya Collection: Majas on a Balcony, ca. 1800-1810. Creator: Francisco Goya

Majas on a Balcony, ca. 1800-1810. Creator: Francisco Goya
Majas on a Balcony, ca. 1800-1810

Background imageFrancisco De Goya Collection: Standing male nude, 1789, (1943). Creator: Francisco Goya

Standing male nude, 1789, (1943). Creator: Francisco Goya
Standing male nude, 1789, (1943). Drawing in the Real Academia de Bellas Artes de San Carlos de Valencia, Spain. From " Europaische Handzeichnungen"

Background imageFrancisco De Goya Collection: The injured Mason, 1786-1787 (1939). Artist: Francisco Goya

The injured Mason, 1786-1787 (1939). Artist: Francisco Goya
The injured Mason, 1786-1787 (1939). Two workers carry another, who has been wounded in a work accident. The scaffolding in the background reveals the underlying subject as workersś safety

Background imageFrancisco De Goya Collection: La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco Goya

La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco Goya
La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Rococo cartoon produced by Spanish artist Francisco de Goya for tapestries at the Royal Palace of El Pardo

Background imageFrancisco De Goya Collection: El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco Goya

El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco Goya
El Pelele, (The Straw Manikin), 1791-1792, (c1934). Four young women laugh and play, blanket-tossing a doll or manikin. The blanket-tossing of a doll is used here by Goya as a clear allegory of

Background imageFrancisco De Goya Collection: Do not shout you idiot, 1799. Artist: Francisco Goya

Do not shout you idiot, 1799. Artist: Francisco Goya
Do not shout you idiot, 1799. Published in Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageFrancisco De Goya Collection: Boys Playing at Soldiers, c. 1775-99 (oil on canvas)

Boys Playing at Soldiers, c. 1775-99 (oil on canvas)
GLS29679 Boys Playing at Soldiers, c.1775-99 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 29.2x41.9 cm; Stirling Maxwell Collection, Pollok House, Glasgow

Background imageFrancisco De Goya Collection: Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)

Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)
3745584 Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 29x43 cm; Manchester Art Gallery

Background imageFrancisco De Goya Collection: Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)

Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)
3745578 Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x23 cm; Manchester Art Gallery

Background imageFrancisco De Goya Collection: No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint)

No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)
3745581 No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageFrancisco De Goya Collection: El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters)

El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint)
3745577 El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Manchester Art Gallery

Background imageFrancisco De Goya Collection: Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)

Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)
3745575 Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing) by Goya y Lucientes, Francisco Jose de (1746-1828); 30x42 cm; Manchester Art Gallery

Background imageFrancisco De Goya Collection: Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)

Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)
3959779 Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.3x34.5 cm; Manchester Art Gallery

Background imageFrancisco De Goya Collection: No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)

No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)
3745585 No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageFrancisco De Goya Collection: Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas)

Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas)
JLJ4650294 Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageFrancisco De Goya Collection: La maja desnuda (The Nude Maja), c. 1800 (oil on canvas)

La maja desnuda (The Nude Maja), c. 1800 (oil on canvas)
JLJ4667793 La maja desnuda (The Nude Maja), c. 1800 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 95x190 cm; Prado, Madrid

Background imageFrancisco De Goya Collection: Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas)

Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas)
1109266 Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 127x101.6 cm; Metropolitan Museum of Art, New York

Background imageFrancisco De Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)

GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)
CUL4870263 GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda

Background imageFrancisco De Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25)

GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25. 1 x 35. 9 cm)
CUL4871900 GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25.1 x 35.9 cm). ROMERO, Pedro (1754-1839). Spanish bullfighter

Background imageFrancisco De Goya Collection: The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas)

The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas)
7294373 The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas) by Goya, Francisco Jose de (1746-1828) (school of); Fondazione Magnani-Rocca, Parma

Background imageFrancisco De Goya Collection: GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)

GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)
CUL4874394 GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm). Plate 1 of " Proverbs". Romanticism. Engraving. SPAIN

Background imageFrancisco De Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778

GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778
CUL4878576 GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778. PHILIP III of Spain (1578-1621). King of Spain (1598-1621)

Background imageFrancisco De Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)
CUL4874729 GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm). Plate 55 of " Los Caprichos", etching and burnished aquatint. Romanticism. Engraving. Etching

Background imageFrancisco De Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum)

GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum)
CUL4871908 GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. 1816. (24.9 x 35.7 cm)

Background imageFrancisco De Goya Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)
CUL4877269 GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm). Plate 80 of " Los Caprichos", etching, burnished aquatint, drypoint and chisel

Background imageFrancisco De Goya Collection: Pretty Teacher. 1793-1799 (aquatint)

Pretty Teacher. 1793-1799 (aquatint)
CUL4874399 Pretty Teacher. 1793-1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x14 cm; Biblioteca Nacional, Madrid, Spain; (add.info.: By GOYA Y LUCIENTES)

Background imageFrancisco De Goya Collection: Night Scene from the Inquisition, c. 1810 (oil on wood)

Night Scene from the Inquisition, c. 1810 (oil on wood)
7305498 Night Scene from the Inquisition, c.1810 (oil on wood) by Goya y Lucientes, Francisco Jose de (1746-1828); 30.1x40 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Goya (1746-1828))

Background imageFrancisco De Goya Collection: Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas)

Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas)
7305247 Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres



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Francisco de Goya, a renowned Spanish artist from the 18th and 19th centuries, left an indelible mark on the art world with his diverse range of works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's ability to capture sensuality and beauty in a bold and unapologetic manner. In contrast to this sensual masterpiece, Goya also demonstrated his talent for portraiture with his painting of Field Marshal Arthur Wellesley, the 1st Duke of Wellington. Painted in 1814, this portrait exudes power and authority as it immortalizes one of history's great military leaders. Goya's artistic prowess extended beyond traditional subjects; he delved into social commentary through pieces like "Little Prisoner" from 1867. This haunting image depicts a young boy held captive, symbolizing the injustices prevalent during that time period. Another thought-provoking work by Goya is "Ridiculous Dream, " painted between 1819-1823. Through surreal imagery and symbolism, he explores the absurdity of human desires and aspirations. Throughout his career, Goya used various mediums to express himself. Plate 80 from Los Caprichos series titled "It is time" reflects his mastery over etching techniques while conveying a powerful message about societal norms. Religion was another recurring theme in Goya's oeuvre; exemplified by works such as "Saint Ambrose" created between 1796-1799. In this piece, he captures the essence of spirituality through meticulous attention to detail. Goya's satirical side shines through in pieces like "Sopla (Blow)" from Los Caprichos series where he humorously critiques societal behavior using biting wit and clever visual metaphors.