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GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda. Work formerly attributed, as the frame inscription says, to Francisco de Goya

GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda. Work formerly attributed, as the frame inscription says, to Francisco de Goya


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GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda. Work formerly attributed, as the frame inscription says, to Francisco de Goya

CUL4870263 GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda. Work formerly attributed, as the frame inscription says, to Francisco de Goya. On the gold handle of the cane reads: " His Ecellency the Count/of Miranda/Year/1.774". Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Lazaro Galdiano Foundation by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda. Work formerly attributed, as the frame inscription says, to Francisco de Goya. On the gold handle of the cane reads: " His Ecellency the Count/of Miranda/Year/1.774". Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Lazaro Galdiano Foundation); Photo © Esteban/AIC

Media ID 31972773

© Esteban/AIC / Bridgeman Images

Appcultura Francisco De Goya Francisco José De Goya Y Lucientes Goya Goya Y Lucientes Goya Y Lucients Hairpiece Honorary Decoration Madrid Military Decoration Military Dress Jewel


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EDITORS COMMENTS
This print showcases a remarkable artwork attributed to the renowned Spanish painter Francisco de Goya. The painting depicts Pedro Alcantara Lopez de Zuniga, the 14th Count of Miranda del Castanar and 10th Duke of Penaranda, who lived in the 18th century. Originally believed to be created by Goya himself, as indicated by the inscription on the frame, this work is now considered to have been executed by another artist from that era. The subject of this portrait holds a gold-handled cane with an intriguing inscription that reads: "His Excellency the Count of Miranda/Year/1774". This detail adds an air of historical significance and personal connection to the piece. Painted with oil on canvas, this masterpiece captures not only the physical likeness but also conveys a sense of power and nobility associated with its distinguished subject. Currently housed at Madrid's Lazaro Galdiano Foundation, this photograph taken by Esteban offers viewers a glimpse into Spain's rich artistic heritage. The image beautifully captures every brushstroke and color nuance present in the original artwork while highlighting its intricate details. As we admire this striking composition through Esteban's lens, we are transported back in time to witness both Goya's influence and his contemporaries' contributions to Spanish art history. It serves as a reminder that even within attributions and evolving perspectives lies an enduring appreciation for masterful craftsmanship and timeless beauty.

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