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Jean-Antoine de Mesmes, Seigneur of Irval, Count of Avaux, from a painting by Philippe de Champaigne, 1653
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Jean-Antoine de Mesmes, Seigneur of Irval, Count of Avaux, from a painting by Philippe de Champaigne, 1653
5855357 Jean-Antoine de Mesmes, Seigneur of Irval, Count of Avaux, from a painting by Philippe de Champaigne, 1653. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Jean-Antoine de Mesmes, Seigneur of Irval, Count of Avaux, from a painting by Philippe de Champaigne, 1653.
Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessiss " Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.); © Florilegius
Media ID 22335568
© Florilegius / Bridgeman Images
1653 16th 17th 1867 18th Clothing Style Count Didier Duplessis Edmond Lechavellier Chevignard Fashiom Fashion Trend Flameng Formal Georges Handcolored Historiques Jean Antoine Laguillermie Lechevallier Chevignard Philippe Seigneur Siecles Centuries Champaigne Summer Clothes
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EDITORS COMMENTS
This print showcases the distinguished figure of Jean-Antoine de Mesmes, Seigneur of Irval and Count of Avaux. The image is a reproduction of a remarkable painting created by Philippe de Champaigne in 1653. Jean-Antoine de Mesmes exudes an air of authority and elegance, as he stands tall with his head held high. His regal attire, meticulously depicted in vibrant colors, reflects his noble status and impeccable taste. This handcolored illustration brings to life the intricate details of his clothing, from the ornate embroidery on his doublet to the delicate lace collar adorning his neck. The lithography technique used by E. Lechevallier-Chevignard beautifully captures every nuance and texture present in the original painting. The artist's skillful rendering highlights not only Jean-Antoine de Mesmes' physical features but also conveys a sense of depth and dimensionality. Published in 1867 as part of Georges Duplessis' renowned work "Costumes historiques des XVIe, XVIIe et XVIIIe siècles" this print offers viewers a glimpse into the fashion trends prevalent during that period. It serves as both an artistic masterpiece and a historical document that sheds light on the sartorial choices favored by individuals belonging to high society. With its rich history and exquisite craftsmanship, this print is sure to captivate art enthusiasts and history buffs alike. Its presence adds sophistication to any space while providing an intriguing window into centuries past.
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