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Revolution of 1848: "First work after the insurrection in February 1848"Sorrow of the families of the victims who died on the days of February 1848. Painting by Pierre Eugene Lacoste (1818-1908) 1850 Sun
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Revolution of 1848: "First work after the insurrection in February 1848"Sorrow of the families of the victims who died on the days of February 1848. Painting by Pierre Eugene Lacoste (1818-1908) 1850 Sun
JLJ4603769 Revolution of 1848: " First work after the insurrection in February 1848" Sorrow of the families of the victims who died on the days of February 1848. Painting by Pierre Eugene Lacoste (1818-1908) 1850 Sun. 2, 7x3, 66 m Marseille, Musee des Beaux Arts. by Lacoste, Pierre Eugene (1818-1908); Musee des Beaux-Arts, Marseille, France; (add.info.: Revolution of 1848: " First work after the insurrection in February 1848" Sorrow of the families of the victims who died on the days of February 1848. Painting by Pierre Eugene Lacoste (1818-1908) 1850 Sun. 2, 7x3, 66 m Marseille, Musee des Beaux Arts.); Photo © Photo Josse
Media ID 25186186
© Josse / Bridgeman Images
Breast Feeding Breast Giving Breast Milk Breastfeeding Breastmilk Catholic Cross Coffin Homemade Misery Pauper Revolution 1848 Sadness
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This powerful print captures the aftermath of the Revolution of 1848 in France. Titled "First work after the insurrection in February 1848: Sorrow of the families of the victims who died on the days of February 1848" it is a painting by Pierre Eugene Lacoste from 1850. The image depicts a scene filled with profound sadness and grief. In the foreground, we see a mother breastfeeding her baby, symbolizing both nourishment and comfort amidst despair. Surrounding them are other family members, their faces etched with sorrow as they mourn for their loved ones lost during this tumultuous time. Lacoste's use of color and composition adds to the emotional impact of this artwork. The dark tones convey a sense of mourning, while subtle hints of light suggest hope amidst tragedy. The inclusion of a homemade wooden cross serves as a poignant reminder that these victims were ordinary people caught up in extraordinary circumstances. Displayed at Musee des Beaux Arts in Marseille, this painting stands as a testament to human resilience and collective suffering during times of revolution. It reminds us that behind historical events lie countless personal stories and sacrifices made by individuals and families alike. Through his artistry, Lacoste brings forth not only an important moment in French history but also universal themes such as poverty, death, childhood innocence shattered by violence, and maternal love enduring even in times of immense hardship.
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