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Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes
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Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes
659746 Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes! And Yet I Feel Most Vain All Hope But Love... -Shelley. 1900 (oil on canvas) by Watson, George Spencer (1869-1934); 142.3x108.4 cm; Private Collection; (add.info.: Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes! And Yet I Feel Most Vain All Hope But Love... -Shelley. George Spencer Watson (1869-1934). Oil on canvas. Signed and dated 1900. 142.3 x 108.4cm.); Photo eChristies Images; English, out of copyright
Media ID 22409734
© Christie's Images / Bridgeman Images
082012upload 1900 Bound British Art Celestial Chained Comparison Contradiction Contrast Contrasting Contrasts Earth Elevated Elevated View Enchanted English Art English Artist Fanciful Fantastical Fantasy Heaven Heavenly Helpless Large Large Group Lying Lying Down Lying On Back Magic Magical Mountainside Mythical Occult Position Prometheus Romantic Art Romantic Era Romanticism Shackled Shelley Size Skin Small Spirit Stuck Supernatural Tied Up Trapped Victorian Pictures Watchful Watson Artist British British Artist Consoled Ethnic Origin Natural Space
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EDITORS COMMENTS
This print captures the essence of George Spencer Watson's masterpiece, "Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes!". Painted in 1900, this oil on canvas artwork depicts Prometheus, a figure from Greek mythology who defied the gods to bring fire to humanity. Bound and shackled on a mountainside, Prometheus is consoled by ethereal spirits floating above him. The painting exudes a sense of enchantment and mysticism. The contrast between Prometheus' earthly restraints and the heavenly beings surrounding him creates a powerful visual impact. The artist skillfully portrays both male and female spirits with delicate brushstrokes, emphasizing their fantastical nature. Watson's work reflects elements of Romanticism, an artistic movement that celebrated emotion, imagination, and spirituality. The composition evokes feelings of hopelessness mixed with love as expressed in Shelley's poetic quote: "And Yet I Feel Most Vain All Hope But Love. . ". The large group of spirits adds depth to the scene while also conveying a sense of otherworldliness. Their presence suggests that even in moments of despair or confinement, there is always solace to be found in nature and its mystical forces. This print allows us to appreciate Watson's masterful technique while immersing ourselves in the magical world he created over a century ago. It serves as a reminder that art has the power to transport us beyond our physical limitations into realms where beauty intertwines with human struggles and triumphs.
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