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Punch cartoon: Charles Bradlaugh, English Liberal politician and atheist (engraving)

Punch cartoon: Charles Bradlaugh, English Liberal politician and atheist (engraving)


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Punch cartoon: Charles Bradlaugh, English Liberal politician and atheist (engraving)

6034890 Punch cartoon: Charles Bradlaugh, English Liberal politician and atheist (engraving) by Sambourne, Edward Linley (1844-1910) (after); Private Collection; (add.info.: Punch cartoon: Charles Bradlaugh (1833-1891), English Liberal politician and atheist. Illustration for Punch, Volume 81, July - December 1881.); Look and Learn / George Collection

Media ID 23279012

© Look and Learn / George Collection / Bridgeman Images

Atheism Atheist Charles Bradlaugh Liberal Northampton Punch Punchs Fancy Portraits Rooftops Caricatures Comics


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> Animals > Mammals > Vespertilionidae > Northern Bat

> Arts > Artists > Related Images

> Arts > Literature > Magazines

> Arts > Pop art > Satire > Humorous artworks

> Arts > Pop art > Satire > Satirical artwork

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> Arts > Street art graffiti > Portraits > Fine art

> Europe > Germany > Politics

> Europe > United Kingdom > Related Images

> Fine Art Finder > Artists > Edward Linley (after) Sambourne

> Humour > Cartoon


EDITORS COMMENTS
This engraving captures the essence of Charles Bradlaugh, an influential English Liberal politician and outspoken atheist. Created by Edward Linley Sambourne in 1881 for Punch magazine, this satirical cartoon offers a humorous yet scathing commentary on Bradlaugh's controversial beliefs. In the image, we see Bradlaugh portrayed with his distinctive features and a mischievous grin. He is depicted wearing a suit and holding a bat with wings, symbolizing his ability to challenge societal norms and soar above conventional thinking. The rooftops of Northampton serve as the backdrop, representing both his constituency and the platform from which he fearlessly voiced his opinions. Bradlaugh's political career was marked by fierce debates surrounding religion and atheism. As an ardent advocate for secularism, he faced immense opposition from religious groups who viewed him as a threat to traditional values. This caricature encapsulates that tension between faith and reason through its clever portrayal of Bradlaugh as a flying figure challenging established beliefs. The inclusion of German references in this artwork adds another layer of complexity to its interpretation. It hints at Germany's growing influence during that period while also highlighting how ideas transcend national borders. Overall, this print serves as both an artistic masterpiece and historical artifact, shedding light on one man's quest for intellectual freedom amidst societal constraints.

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