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Lloyd George enters a Cabinet Room empty of ministers who are busy writing articles for
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Lloyd George enters a Cabinet Room empty of ministers who are busy writing articles for
KDC400241 Lloyd George enters a Cabinet Room empty of ministers who are busy writing articles for the newspapers, August, 1920 (litho) by English School, (20th century); Private Collection; (add.info.: David Lloyd George (1863-1945) Liberal politician and Prime Minister of the United Kingdom for the 1916-22 Coalition Government of the Liberals ad Conservatives; the cartoon from Punch magazine, August 11, 1920, is especially critical of Winston Churchill (1874-1965) setting a fashion for writing articles for the Sunday press in Britain while a government minister (Minister for War and Air 1919-1920)); English, out of copyright
Media ID 22377690
© Bridgeman Images
Conservative Conservatives Criticism Liberal Liberals Media Parties
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EDITORS COMMENTS
The print captures a significant moment in British political history, depicting David Lloyd George entering an empty Cabinet Room while his ministers are engrossed in writing articles for the newspapers. Taken in August 1920, this lithograph by the English School offers a satirical commentary on the state of affairs within the government during that time. Lloyd George, a prominent Liberal politician and Prime Minister of the United Kingdom from 1916 to 1922, is portrayed as he enters a room devoid of his fellow ministers. The image highlights their absence due to their preoccupation with writing articles for publication. This cartoon-like depiction from Punch magazine serves as biting criticism towards Winston Churchill, who is specifically targeted for setting a trend among government officials to write articles for Sunday press publications. The artwork reflects broader themes such as media influence and political parties' internal dynamics. It sheds light on how politicians were perceived when they engaged in moonlighting activities or pursued personal interests alongside their governmental responsibilities. This caricatured representation showcases the power of satire and engraving as mediums through which social commentary was expressed during that era. The image not only provides historical context but also invites viewers to reflect on the role of politicians and media within society. This particular print belongs to a private collection and remains out of copyright, making it accessible for public viewing without any commercial use restrictions.
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