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L assomption de la Vierge Marie (The Assumption of the Blessed Virgin Mary) - Oil on wood by Vasco Fernandes (Grao Vasco) (c1475-c1542) - Dim : 132x104 cm - Museu Nacional de Arte Antiga, Lisbon
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L assomption de la Vierge Marie (The Assumption of the Blessed Virgin Mary) - Oil on wood by Vasco Fernandes (Grao Vasco) (c1475-c1542) - Dim : 132x104 cm - Museu Nacional de Arte Antiga, Lisbon
FIA5383372 L assomption de la Vierge Marie (The Assumption of the Blessed Virgin Mary) - Oil on wood by Vasco Fernandes (Grao Vasco) (c1475-c1542) - Dim : 132x104 cm - Museu Nacional de Arte Antiga, Lisbon by Boguszowicz, Szymon (1575-1648); National Museum of Ancient Art, Lisbon, Portugal; Photo © Fine Art Images
Media ID 25177072
© Fine Art Images / Bridgeman Images
Assumption Blessed Virgin Flute Seraph Seraphs Early Xv Century Late Xv Century Music Instrument
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EDITORS COMMENTS
This print showcases the masterpiece "L'Assomption de la Vierge Marie" by Vasco Fernandes, also known as Grao Vasco. Painted in oil on wood during the late 15th or early 16th century, this artwork measures 132x104 cm and is housed in the Museu Nacional de Arte Antiga in Lisbon. The painting depicts the Assumption of the Blessed Virgin Mary into heaven, a significant event in Christian theology. The composition is filled with vibrant colors that bring life to the scene. Rays of light illuminate Mary as she ascends towards heaven, surrounded by a chorus of angels and seraphs. Grao Vasco's attention to detail is evident throughout the piece. Each figure is meticulously rendered, capturing their expressions and gestures with precision. The artist's skillful use of color adds depth and richness to every element within the painting. In addition to its religious significance, this artwork also highlights Grao Vasco's mastery as a painter during his time. His ability to convey emotion through brushstrokes and create a sense of movement within stillness is truly remarkable. This print allows viewers to appreciate not only Grao Vasco's artistic talent but also serves as a testament to his contribution to art history. It invites contemplation about faith, spirituality, and the power of visual storytelling through centuries-old masterpieces like this one.
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