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Seraph Collection

"Seraph: A Glimpse into Heavenly Encounters and Divine Intervention" Stephane, the first Christian martyr, met his tragic fate through stoning in 36 AD

Background imageSeraph Collection: Our Lady of the Rosary (oil on canvas)

Our Lady of the Rosary (oil on canvas)
7216656 Our Lady of the Rosary (oil on canvas) by Dit─ø, Emanuel (1862-1944); (add.info.: This altarpiece was painted for the Church of St. Giles in Prague, Czech Republic); © Lubomir Synek

Background imageSeraph Collection: The stoning of St. Stephen: St. Stephen (Stephane), was the first Christian martyr who died by

The stoning of St. Stephen: St. Stephen (Stephane), was the first Christian martyr who died by stoning in 36 AD. JC
JLJ4647938 The stoning of St. Stephen: St. Stephen (Stephane), was the first Christian martyr who died by stoning in 36 AD. JC. Painting by Annibale Carracci or Annibal Carrache (1560-1609)

Background imageSeraph Collection: The Angel Saint Francis in Prayer; Ange St. Francis en Priere, c. 1947-48 (oil on masonite)

The Angel Saint Francis in Prayer; Ange St. Francis en Priere, c. 1947-48 (oil on masonite)
824575 The Angel Saint Francis in Prayer; Ange St. Francis en Priere, c.1947-48 (oil on masonite) by Hyppolite, Hector (1889-1948); 95.6x71

Background imageSeraph Collection: Paradise Lost: The Rebel Angels. By Dore

Paradise Lost: The Rebel Angels. By Dore
3787291 Paradise Lost: The Rebel Angels. By Dore by Dore, Gustave (1832-83); (add.info.: Paradise Lost, by John Milton: The rebel angels are summoned to the conclave in Pandaemonium)

Background imageSeraph Collection: Elijah comforted by an Angel, 1 Kings, Chapter 19, Verses 4-8 (engraving)

Elijah comforted by an Angel, 1 Kings, Chapter 19, Verses 4-8 (engraving)
7193124 Elijah comforted by an Angel, 1 Kings, Chapter 19, Verses 4-8 (engraving) by Potter, Paulus (1625-54); Private Collection; (add.info.: Elijah comforted by an Angel, 1 Kings, Chapter 19)

Background imageSeraph Collection: London in 1888: The City Road, Finsbury Circus to the 'Angel'Islington (engraving)

London in 1888: The City Road, Finsbury Circus to the "Angel"Islington (engraving)
7188742 London in 1888: The City Road, Finsbury Circus to the " Angel" Islington (engraving) by English School, (19th century); Private Collection; (add.info.: The City Road)

Background imageSeraph Collection: Gloria in excelsis Deo (chromolitho)

Gloria in excelsis Deo (chromolitho)
7188643 Gloria in excelsis Deo (chromolitho) by Austrian School, (19th century); Private Collection; (add.info.: Gloria in excelsis Deo)

Background imageSeraph Collection: Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas)

Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas)
6448694 Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 223x183 cm; (add.info.: Destroyed in 1945)

Background imageSeraph Collection: Jacob wrestling with the Angel (coloured engraving)

Jacob wrestling with the Angel (coloured engraving)
3626756 Jacob wrestling with the Angel (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Jacob wrestling with the Angel)

Background imageSeraph Collection: The Death of Adam, from the Legend of the True Cross cycle, completed 1464 (fresco)

The Death of Adam, from the Legend of the True Cross cycle, completed 1464 (fresco)
ALI79358 The Death of Adam, from the Legend of the True Cross cycle, completed 1464 (fresco) by Francesca, Piero della (c.1415-92); Basilica San Francesco, Arezzo, Tuscany, Italy; Alinari

Background imageSeraph Collection: Mariner, Seraph-Band

Mariner, Seraph-Band
The angelic spirits leave the dead bodies of the sailors: This seraph-band, each waved his hand: It was a heavenly sight!

Background imageSeraph Collection: Virgin on the throne between Saint Jerome and San Sebastian. 1506

Virgin on the throne between Saint Jerome and San Sebastian. 1506. Painting by Francesco Ferrari Bianchi. St
VEN5028437 Virgin on the throne between Saint Jerome and San Sebastian. 1506. Painting by Francesco Ferrari Bianchi. St. Peter

Background imageSeraph Collection: Apollo playing the Cithare (Apollo citharede). Trompe l'oeil fresco. Anonymous

Apollo playing the Cithare (Apollo citharede). Trompe l'oeil fresco. Anonymous
VEN5027644 Apollo playing the Cithare (Apollo citharede). Trompe l'oeil fresco. Anonymous. Palazzo Ferrari, Piacenza (Piacenza).; (add.info.: Apollo playing the Cithare (Apollo citharede)

Background imageSeraph Collection: Angel with garland of flowers. 19th century chromolithography

Angel with garland of flowers. 19th century chromolithography
IMB4824890 Angel with garland of flowers. 19th century chromolithography.; (add.info.: Angel with garland of flowers. 19th century chromolithography.); © Imagebroker

Background imageSeraph Collection: Angel statue Anonymous sculpture in golden and painted wood from the beginning of the 19th

Angel statue Anonymous sculpture in golden and painted wood from the beginning of the 19th century. Dim
JEB4846643 Angel statue Anonymous sculpture in golden and painted wood from the beginning of the 19th century. Dim. 86x30x50 cm Church of the Nativite of Notre Dame

Background imageSeraph Collection: Business card of Rockwood, photographer in New York City (Broadway) at the end of the 19th century

Business card of Rockwood, photographer in New York City (Broadway) at the end of the 19th century
PCT4265761 Business card of Rockwood, photographer in New York City (Broadway) at the end of the 19th century. The photographer is represented in the form of an angelot sitting on an album

Background imageSeraph Collection: Apollo playing the Cithare (Apollo citharede). Anonymous mural. Palazzo Ferrari, Piacenza (Piacenza)

Apollo playing the Cithare (Apollo citharede). Anonymous mural. Palazzo Ferrari, Piacenza (Piacenza)
VEN5027664 Apollo playing the Cithare (Apollo citharede). Anonymous mural. Palazzo Ferrari, Piacenza (Piacenza).; (add.info.: Apollo playing the Cithare (Apollo citharede). Anonymous mural

Background imageSeraph Collection: Frontispice of 'Elemens (Elements) of botanical ' (1694) by Joseph Pitton de Tournefort (1656-1708)

Frontispice of "Elemens (Elements) of botanical " (1694) by Joseph Pitton de Tournefort (1656-1708)
XEE5031984 Frontispice of "Elemens (Elements) of botanical " (1694) by Joseph Pitton de Tournefort (1656-1708), French botanist

Background imageSeraph Collection: La barque d'amour. Engraving 1866

La barque d'amour. Engraving 1866
JAB4121894 La barque d'amour. Engraving 1866; (add.info.: La barque d'amour. Engraving 1866); Photo ©Jaime Abecasis

Background imageSeraph Collection: Line drawing depicting the weighing of souls

Line drawing depicting the weighing of souls
1578300 Line drawing depicting the weighing of souls; (add.info.: Line drawing depicting the weighing of souls. The soul is saved despite the cheating demons who are depicted pushing down the scales)

Background imageSeraph Collection: Giuseppe Bertini's fountain, located in the vestibule of the Museo Poldi Pezzoli in Milan

Giuseppe Bertini's fountain, located in the vestibule of the Museo Poldi Pezzoli in Milan
3559712 Giuseppe Bertini's fountain, located in the vestibule of the Museo Poldi Pezzoli in Milan; Museo Poldi Pezzoli, Milan

Background imageSeraph Collection: Manifest Destiny, 1872

Manifest Destiny, 1872
1579977 Manifest Destiny, 1872; (add.info.: Painting, Manifest Destiny. Shows a female figure, Potentially an angel, leading the pioneers westward. They travel by foot, stagecoaches and railways)

Background imageSeraph Collection: Madonna in Glory with Saint Mary Magdalene, Saint Bernard and Angels, Last quarter of 15th century

Madonna in Glory with Saint Mary Magdalene, Saint Bernard and Angels, Last quarter of 15th century. Found in the collection of the Musee du Louvre, Paris

Background imageSeraph Collection: The Annunciation (colour litho)

The Annunciation (colour litho)
7172942 The Annunciation (colour litho) by English School, (19th century); Private Collection; (add.info.: The Annunciation (Luke 1:38)

Background imageSeraph Collection: Virgins; Angels; Archangels; Virtues; Powers; Dominations (engraving)

Virgins; Angels; Archangels; Virtues; Powers; Dominations (engraving)
7182256 Virgins; Angels; Archangels; Virtues; Powers; Dominations (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageSeraph Collection: Banishment of Adam and Eve from the Garden of Eden (chromolitho)

Banishment of Adam and Eve from the Garden of Eden (chromolitho)
7185800 Banishment of Adam and Eve from the Garden of Eden (chromolitho) by English School, (20th century); Private Collection; (add.info)

Background imageSeraph Collection: Gustave Dore Bible: The Angel appearing to Balaam (engraving)

Gustave Dore Bible: The Angel appearing to Balaam (engraving)
5221465 Gustave Dore Bible: The Angel appearing to Balaam (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: The Angel appearing to Balaam)

Background imageSeraph Collection: The Immaculate Conception with the Fifteen Mysteries of the Rosary (oil on canvas)

The Immaculate Conception with the Fifteen Mysteries of the Rosary (oil on canvas)
1767241 The Immaculate Conception with the Fifteen Mysteries of the Rosary (oil on canvas) by Cabrera, Miguel (1695-1768) (circle of); 78x65.8 cm; Private Collection; (add.info)

Background imageSeraph Collection: Madonna with Child sitting on a rock, surrounded by cherubim

Madonna with Child sitting on a rock, surrounded by cherubim. Next to her is an elderly man in adoration. Drawing located in the Uffizi

Background imageSeraph Collection: A chair carved in marble, in the Certosa (Carthusian monastery) of Calci, near Pisa

A chair carved in marble, in the Certosa (Carthusian monastery) of Calci, near Pisa Calci Certosa Bishop's Throne Baroque, Renaissance-Baroque styles and periods, Europe

Background imageSeraph Collection: Madonna holding the Child. Glazed terracotta by the Della Robbia, in the Camposanto of Pisa

Madonna holding the Child. Glazed terracotta by the Della Robbia, in the Camposanto of Pisa, in Tuscany Pisa Camposanto Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods

Background imageSeraph Collection: Tomb of Cardinal Pietro Riario by Mino da Fiesole and helpers

Tomb of Cardinal Pietro Riario by Mino da Fiesole and helpers, located in the Santissimi Apostoli Church in Rome. Rome Santissimi Apostoli Church Funerary Monument High Renaissance, Renaissance

Background imageSeraph Collection: The Madonna with Child. Glazed terracotta sculpted by the Della Robbias

The Madonna with Child. Glazed terracotta sculpted by the Della Robbias, originally at the Regional Archaeological Museum, it is now exhibited at the Regional Gallery of Sicily in Palermo

Background imageSeraph Collection: The Virgin and Young St. John adoring the Child. Terracotta high relief by Luca della Robbia

The Virgin and Young St. John adoring the Child. Terracotta high relief by Luca della Robbia located in the Church of S. Niccol da Bari in Prato

Background imageSeraph Collection: The Virgin with Child and Saints Stephen and Lawrence. Lunette by Andrea Della Robbia located

The Virgin with Child and Saints Stephen and Lawrence. Lunette by Andrea Della Robbia located on the facade of Prato's Cathedral

Background imageSeraph Collection: The right chancel and the corresponding chapel below it, both attributed to Salvi Castellucci

The right chancel and the corresponding chapel below it, both attributed to Salvi Castellucci, located in the Church of Santa Maria in Gradi in Arezzo Arezzo Church of Santa Maria in Gradi

Background imageSeraph Collection: The tabernacle in the Santa Maria Assunta Church, in Stiava, near Massarosa

The tabernacle in the Santa Maria Assunta Church, in Stiava, near Massarosa. Sculpture by the Riccomannis, Versilia Massarosa Stiava, Santa Maria Assunta Church Ciborium Gothic, Middle Ages, Europe

Background imageSeraph Collection: 15th century tabernacle in the Church of Saint John and Saint Felicity in Valdicastello Carducci

15th century tabernacle in the Church of Saint John and Saint Felicity in Valdicastello Carducci, near Pietrasanta, Versilia Pietrasanta Valdicastello Carducci

Background imageSeraph Collection: The Virgin and Child with two adoring angels. The sculpture is by Benedetto da Maiano

The Virgin and Child with two adoring angels. The sculpture is by Benedetto da Maiano and is found in Saint Bartolo Chapel, in the Church of Saint Augustine

Background imageSeraph Collection: Close-up of the altar in the Saint Bartolo Chapel. The sculpture is by Benedetto da Maiano

Close-up of the altar in the Saint Bartolo Chapel. The sculpture is by Benedetto da Maiano and is found in the Church of Saint Augustine, in San Gimignano San Gimignano Church of Saint Augustine, St

Background imageSeraph Collection: Upper detail of the altar in the Saint Fina Chapel. Sculpture by Benedetto da Maiano

Upper detail of the altar in the Saint Fina Chapel. Sculpture by Benedetto da Maiano, located in the Collegiate Church in San Gimignano San Gimignano Collegiate Church, St

Background imageSeraph Collection: Detail of the frieze of the high altar of the Church of Fontegiusta in Siena. Sculpture by Marrina

Detail of the frieze of the high altar of the Church of Fontegiusta in Siena. Sculpture by Marrina. Siena Church of Fontegiusta Frieze High Renaissance, Renaissance

Background imageSeraph Collection: Glazed terracotta with the Coronation of the Virgin, work exhibited at the Palazzo Bianco in Genoa

Glazed terracotta with the Coronation of the Virgin, work exhibited at the Palazzo Bianco in Genoa. Genoa Palazzo Bianco High Relief Early Renaissance, Renaissance

Background imageSeraph Collection: Madonna with the Child, polychrome terracotta statue by Andrea della Robbia

Madonna with the Child, polychrome terracotta statue by Andrea della Robbia, collocated in the Church of St. Mary of Jesus, in Trapani. Trapani S

Background imageSeraph Collection: Detail of the high relief with the Virgin and Child. Sculpture by Giacomo Cozzarelli found in

Detail of the high relief with the Virgin and Child. Sculpture by Giacomo Cozzarelli found in the Church of Saint Francis in Siena

Background imageSeraph Collection: Renaissance tabernacle in marble, in Capranica's Cathedral (Saint John the Evangelist)

Renaissance tabernacle in marble, in Capranica's Cathedral (Saint John the Evangelist). Capranica Cathedral Tabernacle Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageSeraph Collection: Crucifix by Antonello Gagini. Sculpture found in the second chapel of the Santa Maria Assunta

Crucifix by Antonello Gagini. Sculpture found in the second chapel of the Santa Maria Assunta Basilica in Alcamo. Alcamo Santa Maria Assunta Basilica, second chapel Crucifix Renaissance

Background imageSeraph Collection: The Virgin with Child and two seraphs. High relief by Luca della Robbia found at the Communal

The Virgin with Child and two seraphs. High relief by Luca della Robbia found at the Communal Gallery in Prato. Prato Communal Gallery High Relief Renaissance, Renaissance-Baroque styles and periods



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"Seraph: A Glimpse into Heavenly Encounters and Divine Intervention" Stephane, the first Christian martyr, met his tragic fate through stoning in 36 AD. Annibale Carracci's captivating painting captures this somber event, transporting us back to the 16th century. In contrast to St. Stephen's story, "Our Lady of the Rosary" presents a serene oil on canvas masterpiece that exudes tranquility and devotion. This artwork invites contemplation and reflection upon one's faith. Traveling to London in 1888, we witness the bustling City Road leading from Finsbury Circus to the iconic "Angel" Islington through an enchanting engraving. The image encapsulates both historical charm and urban dynamism. "Gloria in excelsis Deo, " a mesmerizing chromolithograph, resonates with heavenly praises as it depicts angels rejoicing in celestial glory. Its vibrant colors evoke a sense of awe-inspiring wonderment. The biblical tale of Jacob wrestling with an angel comes alive through a colored engraving that portrays their intense struggle for spiritual enlightenment. This gripping scene symbolizes our own wrestles with life's challenges. "The Death of Adam, " part of the Legend of the True Cross cycle completed in 1464 as a fresco, offers a poignant reminder of mortality while exploring themes of redemption and divine providence. Elijah finds solace amidst turmoil when comforted by an angel according to 1 Kings Chapter 19 Verses 4-8—an evocative engraving that reminds us even during our darkest moments; there is always hope and support from above. Destroyed but not forgotten is "Saint Matthew and the Angel, " an oil on canvas artwork from1602 that once captured divine inspiration within its brushstrokes—a testament to art's ability to transcend time despite its physical demise.