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Madonna in Glory with Saint Mary Magdalene, Saint Bernard and Angels, Last quarter of 15th century. Creator: Botticini, Francesco (1446-1497)
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Madonna in Glory with Saint Mary Magdalene, Saint Bernard and Angels, Last quarter of 15th century. Creator: Botticini, Francesco (1446-1497)
Madonna in Glory with Saint Mary Magdalene, Saint Bernard and Angels, Last quarter of 15th century. Found in the collection of the Musee du Louvre, Paris
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Media ID 36317239
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Anchorite Angels Ascetic Bishop Blessed Virgin Blessed Virgin Mary Botticini Catholic Church Cherubim Cherubs Christ Child Christian Church Christian Mythology Church Father Faith Florentine School Francesco 1446 1497 Hermit Infant Christ Monk Musee Du Louvre Our Lady Patron Philosopher Saint Bernard Saints Seraph Seraphim Tempera On Panel Theologian Virgin And Child Mother Of God Old Testament Seraphs
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EDITORS COMMENTS
This exquisite 15th century painting, titled "Madonna in Glory with Saint Mary Magdalene, Saint Bernard and Angels," is a masterpiece by the renowned Florentine artist, Francesco Botticini (1446-1497). Housed in the prestigious Musee du Louvre in Paris, this tempera on panel artwork showcases the artist's exceptional skill and devotion to the Catholic Church and its rich mythology. At the center of the composition, the Blessed Virgin Mary, the Mother of God, cradles the Christ Child, who reaches out in a gesture of blessing. Mary is depicted in her traditional role as the "Madonna in Glory," surrounded by a mandorla, or almond-shaped aura, symbolizing her divine status. To her left, Saint Bernard of Clairvaux, a Cistercian monk, bishop, and Doctor of the Church, gazes upwards in deep contemplation. Known for his ascetic lifestyle and profound theological insights, Saint Bernard is often depicted with a book and an anchor, representing his dedication to the monastic life and his role as a spiritual guide. To Mary's right, Saint Mary Magdalene, a penitent sinner and one of Christ's most devoted followers, is shown with long, flowing hair and tears streaming down her face. She is accompanied by a multitude of angels, cherubs, and seraphs, who celebrate the divine presence of the Madonna and the Christ Child. The painting's intricate details, including the six-winged seraphs and the delicate folds of the robes, reflect the artistic innovations of the Renaissance period. The Old Testament references, such as the cherubim and seraphim, underscore the deep connection between the Catholic faith and the Bible. This stunning work of art, created by Botticini in the last quarter of the 15th century, continues to captivate and inspire viewers with its beauty, spiritual depth, and enduring relevance to the Christian tradition.
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