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Introducing Georges Carpentier, 1921 (lithograph)
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Introducing Georges Carpentier, 1921 (lithograph)
659417 Introducing Georges Carpentier, 1921 (lithograph) by Bellows, George Wesley (1882-1925); 37x53.2 cm; Private Collection; (add.info.: Introducing Georges Carpentier. George Wesley Bellows (1882-1925). Lithograph on tissue Japan. 1921. 37 x 53.2cm); Photo eChristies Images; American, out of copyright
Media ID 23295028
© Christie's Images / Bridgeman Images
082012upload 1921 Abuse Activity American Artist American Painting Announcement Artist American Ashcan School Bellows Boxer Boxing Boxing Ring Busy Cheering Combat Sport Communicate Communicating Communication Equipment Full Suit George Bellows George Wesley Bellows Grandstand Human Role Introducing Japan Paper Large Group Lithographic Lithoprint Media Microphone Mounted On Paper On Paper Pugilist Race Course Racecourse Racecourses Racing Course Shouting Spectator Spectator Stand Sports Ground Sportsground Stand The Eight Ethnic Origin
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EDITORS COMMENTS
The lithograph print titled "Introducing Georges Carpentier, 1921" captures a vibrant moment in early 20th-century sports history. Created by American artist George Wesley Bellows, this artwork showcases the thrilling atmosphere of a boxing match at an outdoor race course. The scene is bustling with activity as a large group of spectators gathers to witness the spectacle. Men and women alike are eagerly engaged, their attention focused on the boxing ring in anticipation of what is to come. The artist's skillful use of black and white adds depth and intensity to the composition. In the midst of this energetic crowd stands Georges Carpentier himself, a renowned pugilist of his time. He exudes confidence and strength as he prepares for battle. The presence of communication equipment suggests that media coverage plays a significant role in promoting this event. Bellows expertly captures both the physicality and emotion inherent in combat sports through his bold strokes and dynamic composition. This lithograph serves as a testament to his talent as an artist who was part of the Ashcan School movement. This particular print, mounted on Japanese tissue paper measuring 37x53.2 cm, is now housed within a private collection but remains accessible for art enthusiasts to appreciate its historical significance.
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