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The Lying-in-State of the Late Crown Prince of Siam at Bangkok (engraving)
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The Lying-in-State of the Late Crown Prince of Siam at Bangkok (engraving)
1038960 The Lying-in-State of the Late Crown Prince of Siam at Bangkok (engraving) by Brewer, Henry William (fl.1858-d.1903); Private Collection; (add.info.: The Lying-in-State of the Late Crown Prince of Siam at Bangkok. Illustration for The Graphic, 23 February 1895.); Look and Learn / Illustrated Papers Collection
Media ID 23560554
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Bangkok Lying South East Asia State Thai Thailand Thailands Deaths
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The Lying-in-State of the Late Crown Prince of Siam at Bangkok
EDITORS COMMENTS
is a captivating engraving by Henry William Brewer that offers a glimpse into a significant moment in Thai history. The image, taken from "The Graphic" on February 23,1895, showcases the solemn occasion when the late Crown Prince of Siam was laid to rest. In this poignant scene, we witness the grandeur and reverence surrounding the royal funeral procession. The streets of Bangkok are lined with mourners dressed in traditional attire, their faces etched with grief and respect for their departed prince. The elaborate decorations adorning buildings symbolize both mourning and regality. As we delve deeper into this print, it becomes evident that this event holds great importance not only for Thailand but also for South East Asia as a whole. The presence of dignitaries from neighboring countries underscores the regional significance of this loss. Brewer's meticulous attention to detail allows us to appreciate every aspect of this historical moment - from the intricate floral arrangements to the ornate carriage carrying the crown prince's body. Through his artistry, he captures both sorrow and admiration felt by those paying their last respects. This engraving serves as an invaluable record of a pivotal moment in Thai history while honoring the memory and legacy of a beloved royal figure. It stands as a testament to Brewer's skill as an artist and provides us with insight into cultural practices surrounding death and royalty in early 20th-century Southeast Asia.
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