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The New Years Greeting; or the Best of Good Wishes for 1877 (engraving)
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The New Years Greeting; or the Best of Good Wishes for 1877 (engraving)
819170 The New Years Greeting; or the Best of Good Wishes for 1877 (engraving) by English School, (19th century); Private Collection; (add.info.: The New Years Greeting; or the Best of Good Wishes for 1877. Lord Beaconsfield and the ministry recieved the heart congratulations of the majority of the nation on entering upon another year of office. No 58, 3rd January, 1877.); Look and Learn / Elgar Collection
Media ID 23503592
© Look and Learn / Elgar Collection / Bridgeman Images
1877 Anthropmorphic Anthropomorphic Anthropomorphism Bears Benjamin Disraeli Congratulations New Year Prime Ministers Swords
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The New Year's Greeting; or the Best of Good Wishes for 1877
EDITORS COMMENTS
is a captivating engraving that captures the essence of political humor and social commentary in 19th-century England. The artwork, created by an anonymous English School artist, showcases Lord Beaconsfield (Benjamin Disraeli) and his ministry receiving heartfelt congratulations from the majority of the nation as they embark on another year in office. In this whimsical scene, we see anthropomorphic figures representing various politicians wielding swords and engaging in lively banter. The use of anthropomorphism adds a touch of playfulness to the composition, with bears joining in on the action alongside their human counterparts. This clever caricature highlights both the power dynamics within politics and society's fascination with animal symbolism. The engraving serves as a testament to British political satire during this era, where cartoons were used to convey complex ideas through visual storytelling. Through its intricate details and witty portrayal of key figures, "The New Year's Greeting" offers viewers a glimpse into Victorian-era politics while simultaneously wishing them well for the coming year. This print from Fine Art Finder's collection allows us to appreciate not only the artistic skill behind it but also its historical significance as a reflection of public sentiment towards Lord Beaconsfield and his government at that time.
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