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Part of the Serpentine in Hyde Park, set aside for mixed bathing in 1930 (b / w photo)

Part of the Serpentine in Hyde Park, set aside for mixed bathing in 1930 (b  /  w photo)


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Part of the Serpentine in Hyde Park, set aside for mixed bathing in 1930 (b / w photo)

5997987 Part of the Serpentine in Hyde Park, set aside for mixed bathing in 1930 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Part of the Serpentine in Hyde Park, set aside for mixed bathing in 1930. Illustration for The Picture Story of Fifty Years, 1900-1950 edited by R H Poole (George Newnes, 1950).); © Look and Learn

Media ID 23285380

© Look and Learn / Bridgeman Images

1930 Baden Bathing Hyde Park Lido Mixed Part Serpentine Swim Swimmer Swimmers Swimming Field Sports Teamsport


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> Arts > Artists > Related Images

> Europe > Germany > Sports > Related Images

> Europe > United Kingdom > England > London > Sights > Hyde Park

> Europe > United Kingdom > England > London > Sights > Serpentine

> Europe > United Kingdom > England > London > Towns > The Hyde

> Fine Art Finder > Artists > English Photographer

> Fine Art Finder > Artists > English School


EDITORS COMMENTS
This print captures a fascinating moment in history - part of the Serpentine in Hyde Park, set aside for mixed bathing in 1930. The image, taken by an English photographer from the 20th century, showcases a unique aspect of leisure and recreation during that time period. The Serpentine, located within Hyde Park in London, was designated as a space for both men and women to enjoy swimming together. This progressive concept challenged societal norms of the era when gender segregation was more common. The photograph is featured in "The Picture Story of Fifty Years" edited by R. H. Poole and published by George Newnes in 1950. In this scene, swimmers can be seen enjoying the water on a sunny day. It provides us with a glimpse into the past and reminds us of how attitudes towards public spaces have evolved over time. Notably, this particular section of the Serpentine was known as Lansbury's Lido after George Lansbury, who served as the first Commissioner of Works at that time. As we reflect on this historical moment captured through lens and paper, it serves as a testament to progressiveness and inclusivity even during times when such ideas were not widely accepted or practiced. This print is not only visually striking but also holds immense cultural significance as it documents an important chapter in our collective history.

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