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"Fete champetre, ete"(Country festival, summer) Peinture de Ker-Xavier (Ker Xavier) Roussel (1867-1944) 1911-1913 Nabis Moscou, musee Pouchkine
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"Fete champetre, ete"(Country festival, summer) Peinture de Ker-Xavier (Ker Xavier) Roussel (1867-1944) 1911-1913 Nabis Moscou, musee Pouchkine
FIA5326604 " Fete champetre, ete" (Country festival, summer) Peinture de Ker-Xavier (Ker Xavier) Roussel (1867-1944) 1911-1913 Nabis Moscou, musee Pouchkine by Roussel, Ker Xavier (1867-1944); Pushkin Museum, Moscow, Russia; Photo © Fine Art Images
Media ID 27986530
© Fine Art Images / Bridgeman Images
Celebrating Celebratory Event Celebratring Festivity Flower Crown Great Tribulation Holiday Party Naked Woman Partying Rejoice Rejoiced Rejoicings Seraph Seraphs Spare Time Festivities
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EDITORS COMMENTS
The print captures Ker-Xavier Roussel's painting titled "Fete champetre, ete" (Country festival, summer) which was created between 1911 and 1913. This artwork belongs to the Nabis movement and is currently housed in the Pushkin Museum in Moscow, Russia. In this vibrant piece, Roussel depicts a joyous country festival set amidst a picturesque landscape. The scene is filled with an array of colorful wildlife animals that add to the lively atmosphere. The artist skillfully portrays several angels or seraphs hovering above, lending an ethereal quality to the festivities. A central focus of the painting is a group of women celebrating with flower crowns adorning their heads. One woman stands out as she basks in her nakedness, symbolizing freedom and connection with nature. The celebration exudes a sense of great tribulation overcome as people rejoice together. Roussel's use of color brings vibrancy to every element within the composition, from the lush countryside to the intricate details on each figure. The painting beautifully captures the essence of summer and evokes feelings of joy and merriment. This artwork serves as a testament to Roussel's talent for capturing moments of celebration and leisure during his time period. It offers viewers a glimpse into early twentieth-century France while also showcasing his unique artistic style within the Nabis movement.
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