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Rosette and Nana, 1925 (oil on canvas)
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Rosette and Nana, 1925 (oil on canvas)
1768241 Rosette and Nana, 1925 (oil on canvas) by Pascin, Jules (1885-1930); 80.6x99.7 cm; Private Collection; (add.info.: Rosette and Nana. Jules Pascin (1885-1930). Oil on canvas. Painted in 1925. 80.6 x 99.7cm.); Photo eChristies Images; Bulgarian, out of copyright
Media ID 23691294
© Christie's Images / Bridgeman Images
1925 Behaviour Brown Hair Brunette Bulgarian Artist Cream Cream Coloured Dark Hair Expressionism Expressionist Female Garment Hands Folded Ivory Jules Pascin Julius Mordecai Pincas Modern Art Nana Pascin Patterned Rosette Seating Side By Side Solemn Temperament Interior Decoration
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Rosette and Nana, 1925
EDITORS COMMENTS
is a captivating oil painting by Bulgarian artist Jules Pascin. The artwork, measuring 80.6 x 99.7 cm, depicts two women seated side by side in an interior setting. The solemn expressions on their faces suggest a certain depth of emotion and introspection. Both women have dark brown hair, with one being a brunette and the other having her hands folded in her lap. Their attire consists of cream-colored garments with intricate patterns that add to the overall aesthetic appeal of the painting. Pascin's mastery is evident in his use of color and brushstrokes to create a sense of movement within the composition. The white background enhances the modern art feel while also highlighting the figures' postures and clothing. This early twentieth-century artwork showcases Pascin's unique expressionist style, characterized by its bold colors and distorted forms. His attention to detail is remarkable, as seen in every fold of fabric or strand of hair meticulously rendered on canvas. "Rosette and Nana, 1925" is an exquisite example of Pascin's ability to capture human behavior through art. It invites viewers into an intimate moment shared between these two individuals while leaving room for interpretation about their relationship or state of mind. This print from Fine Art Finder allows us to appreciate Pascin's talent even today, reminding us why he remains an influential figure in twentieth-century art history.
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