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Detail of Humayun Seated in a Landscape, from the Late Shah Jahan Album, c
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Detail of Humayun Seated in a Landscape, from the Late Shah Jahan Album, c
2956978 Detail of Humayun Seated in a Landscape, from the Late Shah Jahan Album, c.1650 (w/c, ink & gold on paper) by Payag (fl.1630-1650); Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: Humayun (Persian: UOaUIOn OzUaOOUIU U...OiU...OO UcU...OzUIUoUaAaA; Turkish: HAomaynn; OS 7 March 1508 - OS 27 January 1556) was the second Mughal Emperor who ruled over territory in what is now Afghanistan, Pakistan, and parts of northern India from 1531-1540 and again from 1555-1556. Like his father, Babur, he lost his kingdom early, but regained it with the aid of the Safavid dynasty of Persia, with additional territory. At the time of his death in 1556, the Mughal Empire spanned almost one million square kilometers.); eFreer Slacker Gallery; Arthur M. Sackler Gallery, Smithsonian Institution; Indian, out of copyright
Media ID 23444882
© Freer Slacker Gallery Arthur M. Sackler Gallery, Smithsonian Institution / Bridgeman Images
Album Borders Dynasty Fertile Fertility Foliage Jahan Late Margin Margins Mughal Rich Shah Wild Humayun Rulers Symbolic
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EDITORS COMMENTS
This print showcases a mesmerizing detail of "Humayun Seated in a Landscape" from the Late Shah Jahan Album, created around 1650 by Payag. The artwork, housed at the Arthur M. Sackler Gallery in the Smithsonian Institution, USA, beautifully captures Humayun's regal presence amidst a lush landscape. Humayun, the second Mughal Emperor who ruled over vast territories encompassing present-day Afghanistan, Pakistan, and parts of northern India during two reigns (1531-1540 and 1555-1556), is depicted here with intricate attention to detail. Dressed in traditional attire befitting his status as an emperor, he exudes wealth and power. The painting's borders are adorned with ornate decorations that symbolize fertility and prosperity. Vibrant foliage surrounds Humayun as he sits on his throne-like seat against a backdrop of majestic mountains. This symbolic representation highlights both his authority as a ruler and his connection to nature. The use of watercolor, ink, and gold on paper adds depth and richness to this masterpiece. Every brushstroke brings life to every leaf and animal depicted within the scene. It is evident that great skill was employed by Payag to create such an exquisite work of art. With its intricate details and vibrant colors, this print offers viewers a glimpse into the opulence of Mughal culture while also showcasing their appreciation for natural beauty. It serves as a testament to the artistic prowess of both Payag as well as the broader tradition of Indian illuminated manuscripts.
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