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Chiefs House, Mandalay, c. 1886 (b / w photo)

Chiefs House, Mandalay, c. 1886 (b  /  w photo)


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Chiefs House, Mandalay, c. 1886 (b / w photo)

NAM310759 Chiefs House, Mandalay, c.1886 (b/w photo) by English Photographer, (19th century); National Army Museum, London; (add.info.: from an album of seventy-five photographs and sketches compiled (1886-88) by Lord Henry Rawlinson; associated with the 3rd Burma War (1885-87); Third Anglo-Burmese War; ); eNational Army Museum; English, out of copyright

Media ID 22660248

© National Army Museum / Bridgeman Images

British Empire Colonial Dress Group Portrait Imperial History Imperialism Informal Myanmar Sepoy Sepoys Vernacular Architecture


FEATURES IN THESE COLLECTIONS

> Architecture > Styles > Colonial Architecture

> Architecture > Styles > Empire Architecture

> Architecture > Styles > Indian Architecture

> Arts > Artists > Related Images

> Arts > Contemporary art > Photography > Portraits

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Asia > Myanmar > Mandalay

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Museums > National Army Museum

> Fine Art Finder > Artists > English Photographer

> Fine Art Finder > Artists > Felice (1825-c.1908) Beato

> Fine Art Finder > Far East


EDITORS COMMENTS
This photograph captures the essence of Chiefs House in Mandalay, circa 1886. Taken by an English photographer from the 19th century, this print is a remarkable piece housed at the National Army Museum in London. The image showcases a group portrait that tells a story of imperialism and British empire. In front of the traditional vernacular architecture, soldiers dressed in colonial attire stand proudly alongside their loyal canine companion. Their informal hats add character to the scene while emphasizing their military presence. The photo provides a glimpse into Myanmar's history during the Third Anglo-Burmese War (1885-87), also known as the 3rd Burma War. The soldiers, referred to as sepoy or sepoys, were associated with this conflict and played significant roles in shaping imperial history. Beyond its historical context, this photograph offers insight into daily life during that era. The soldiers' traditional costumes reflect Indian influences on fashion at that time. Additionally, Lord Henry Rawlinson compiled this image as part of an album containing seventy-five photographs and sketches between 1886 and 1888. With its impeccable composition and attention to detail, this print serves as both a valuable historical artifact and a testament to early photography techniques. It allows viewers to step back in time and appreciate not only its aesthetic qualities but also its cultural significance within Myanmar's rich heritage.

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