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Fine Art Print : Chiefs House, Mandalay, c. 1886 (b / w photo)

Chiefs House, Mandalay, c. 1886 (b  /  w photo)



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Chiefs House, Mandalay, c. 1886 (b / w photo)

NAM310759 Chiefs House, Mandalay, c.1886 (b/w photo) by English Photographer, (19th century); National Army Museum, London; (add.info.: from an album of seventy-five photographs and sketches compiled (1886-88) by Lord Henry Rawlinson; associated with the 3rd Burma War (1885-87); Third Anglo-Burmese War; ); eNational Army Museum; English, out of copyright

Media ID 22660248

© National Army Museum / Bridgeman Images

British Empire Colonial Dress Group Portrait Imperial History Imperialism Informal Myanmar Sepoy Sepoys Vernacular Architecture Traditional Costume


21"x14" (+3" Border) Fine Art Print

Step into the past with this stunning black and white photograph of Chiefs House in Mandalay, c.1886, from our Media Storehouse range of Fine Art Prints. Captured by an English photographer in the 19th century and now part of the National Army Museum's collection in London, this image offers a unique glimpse into history. The intricate details of the architectural design and the serene atmosphere of the scene are sure to make this print a beautiful addition to any home or office. Bring a piece of the past into your present with Media Storehouse Fine Art Prints.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 35.5cm (21" x 14")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English Photographer

> Fine Art Finder > Artists > Felice (1825-c.1908) Beato

> Fine Art Finder > Far East

> Animals > Fishes > G > Grouper

> Animals > Mammals > Muridae > House Mouse

> Architecture > Related Images

> Architecture > Styles > Colonial Architecture

> Architecture > Styles > Empire Architecture

> Architecture > Styles > Indian Architecture

> Architecture > Styles > Stick Architecture

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits


EDITORS COMMENTS
This photograph captures the essence of Chiefs House in Mandalay, circa 1886. Taken by an English photographer from the 19th century, this print is a remarkable piece housed at the National Army Museum in London. The image showcases a group portrait that tells a story of imperialism and British empire. In front of the traditional vernacular architecture, soldiers dressed in colonial attire stand proudly alongside their loyal canine companion. Their informal hats add character to the scene while emphasizing their military presence. The photo provides a glimpse into Myanmar's history during the Third Anglo-Burmese War (1885-87), also known as the 3rd Burma War. The soldiers, referred to as sepoy or sepoys, were associated with this conflict and played significant roles in shaping imperial history. Beyond its historical context, this photograph offers insight into daily life during that era. The soldiers' traditional costumes reflect Indian influences on fashion at that time. Additionally, Lord Henry Rawlinson compiled this image as part of an album containing seventy-five photographs and sketches between 1886 and 1888. With its impeccable composition and attention to detail, this print serves as both a valuable historical artifact and a testament to early photography techniques. It allows viewers to step back in time and appreciate not only its aesthetic qualities but also its cultural significance within Myanmar's rich heritage.

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