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Hercules Killing the Centaur (marble) (see also 353892 & 94)

Hercules Killing the Centaur (marble) (see also 353892 & 94)


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Hercules Killing the Centaur (marble) (see also 353892 & 94)

BAT353893 Hercules Killing the Centaur (marble) (see also 353892 & 94) by Giambologna (Giovanni da Bologna), (1529-1608); Loggia dei Lanzi, Florence, Italy; (add.info.: Ercole e il centauro Nesso; Nessus was the centaur ferryman; his tainted blood killed Hercules; ); Photo © Nicolo Orsi Battaglini

Media ID 25467106

© Nicolò Orsi Battaglini / Bridgeman Images

Florentino Heracles Herakles Hybrid Loggia Dei Lanzi Loggia Della Signoria Slaying Tuscan Myths Pagan Paganism Pagans Polytheism Polytheist Shire Horse Stallions


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EDITORS COMMENTS
This print captures the iconic sculpture of "Hercules Killing the Centaur" by Giambologna, located in the Loggia dei Lanzi in Florence, Italy. The image showcases the intricate details of this marble masterpiece, depicting Hercules engaged in a fierce battle with the centaur Nesso. The sculpture symbolizes Hercules' ultimate demise as Nesso's tainted blood would later lead to his own death. This mythological scene is brought to life through Giambologna's skillful craftsmanship and attention to detail. In this photograph, Nicolo Orsi Battaglini expertly captures not only the heroism and strength of Hercules but also highlights the hybrid nature of the centaur - a mythical creature that is part human and part horse. The juxtaposition between these two figures creates a dramatic visual impact. Surrounded by other wildlife animals such as horses and ponies, this image reminds us of how mythology has influenced various aspects of our culture throughout history. It also alludes to pagan beliefs and polytheistic religions prevalent during Renaissance times. As we admire this stunning piece of art against the backdrop of Florence's historic architecture, we are reminded once again of Italy's rich artistic heritage. This print serves as a testament to both Giambologna's talent as a sculptor and Nicolo Orsi Battaglini's ability to capture its essence through his lens.

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