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Francisco Jose de Goya y Lucientes Cushion Collection (page 5)

1,287 Cushions

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Spanish move inland to encounter snow on the road, 1698 (oil on cork) (detail)

The Spanish move inland to encounter snow on the road, 1698 (oil on cork) (detail)
IND388223 The Spanish move inland to encounter snow on the road, 1698 (oil on cork) (detail) by Gonzalez, Miguel (fl.1698); Museo de America, Madrid, Spain; (add.info.: Spanish conquest of Mexico)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Ceramic Plate showing Darius III and his family before Alexander the Great

Ceramic Plate showing Darius III and his family before Alexander the Great, by Giovanni Battista da Faenza (1540-1614)
IND54312 Ceramic Plate showing Darius III and his family before Alexander the Great, by Giovanni Battista da Faenza (1540-1614), 1563 by Biagio di Antonio

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Court of the Inquisition (engraving)

Court of the Inquisition (engraving)
IND52912 Court of the Inquisition (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); Real Academia de Bellas Artes de San Fernando, Madrid, Spain; Index Fototeca

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Francisco Pizarro and his comrades at Gorgona, 1726 (engraving)

Francisco Pizarro and his comrades at Gorgona, 1726 (engraving)
IND388235 Francisco Pizarro and his comrades at Gorgona, 1726 (engraving) by Spanish School, (18th century); Biblioteca Universidad, Barcelona

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching)

Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching)
IND81929 Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching)

Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching)
IND81900 Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); Private Collection; Index Fototeca

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022)

The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022)
IND81689 The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x16.6 cm; Private Collection; Index Fototeca

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: 102-0625800 / 1 Cantiga 43, page from the Cantigas de Santa Maria consisting of 420 musical

102-0625800 / 1 Cantiga 43, page from the Cantigas de Santa Maria consisting of 420 musical compositions narrating
IND83901 /1 Cantiga 43, page from the Cantigas de Santa Maria consisting of 420 musical compositions narrating the miracles of the Virgin

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Merchants chased out of the temple. Anonymous engraving from the middle of the 19th century

Merchants chased out of the temple. Anonymous engraving from the middle of the 19th century
XEE4415062 Merchants chased out of the temple. Anonymous engraving from the middle of the 19th century. by Unknown Artist

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving)

Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving)
XOS5866434 Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.2x34.7 cm; Cleveland Museum of Art, OH, USA

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The arrival of Francisco Pizarro with 180 men and three ships at Tumbes, 1726 (engraving)

The arrival of Francisco Pizarro with 180 men and three ships at Tumbes, 1726 (engraving)
IND388221 The arrival of Francisco Pizarro with 180 men and three ships at Tumbes, 1726 (engraving) by Spanish School, (18th century); Biblioteca Universidad, Barcelona

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa

The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa, plate 18 of The Art of Bullfighting, pub
IND81918 The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa, plate 18 of The Art of Bullfighting, pub

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting

A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting, pub. 1816 (etching)
IND81909 A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: They (the Moors) play another bull with the cape in an enclosure

They (the Moors) play another bull with the cape in an enclosure, plate 4 of The Art of Bullfighting, pub
IND81904 They (the Moors) play another bull with the cape in an enclosure, plate 4 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Alignment of Standing Stones at Carnac, Megalithic, Prehistoric

Alignment of Standing Stones at Carnac, Megalithic, Prehistoric, 4th-3rd millennium BC (photo) (see also 113406)
IND113507 Alignment of Standing Stones at Carnac, Megalithic, Prehistoric, 4th-3rd millennium BC (photo) (see also 113406) by Megalithic; Carnac, Brittany

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid

The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid
IND81916 The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid, plate 16 of The Art of Bullfighting, pub

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Disrobing of Christ or El Expolio, detail. 1577-1579 (Oil on canvas)

The Disrobing of Christ or El Expolio, detail. 1577-1579 (Oil on canvas)
LRI4606911 The Disrobing of Christ or El Expolio, detail. 1577-1579 (Oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Toledo Cathedral, Castilla y Leon

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Moustiers dish, probably painted by Gaspard Viry (1668-1720), c. 1700 (faience)

Moustiers dish, probably painted by Gaspard Viry (1668-1720), c. 1700 (faience)
BAL6418 Moustiers dish, probably painted by Gaspard Viry (1668-1720), c.1700 (faience) by French School, (18th century); Victoria & Albert Museum, London, UK

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid

The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid
IND81928 The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid, plate 28 of The Art of Bullfighting, pub

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Origin of the harpoons or banderillas, plate 7 of The Art of Bullfighting, pub. 1816 (etching)

Origin of the harpoons or banderillas, plate 7 of The Art of Bullfighting, pub. 1816 (etching)
IND81907 Origin of the harpoons or banderillas, plate 7 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The tooth puller Painting by Gerrit Van Honthorst (1590-1656), 17th century Dim. 1, 37x2m

The tooth puller Painting by Gerrit Van Honthorst (1590-1656), 17th century Dim. 1, 37x2m
JLJ4580310 The tooth puller Painting by Gerrit Van Honthorst (1590-1656), 17th century Dim. 1, 37x2m. by Honthorst, Gerrit van (1590-1656); Louvre, Paris

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Laocoon - Minerva supporting the Greeks sends the snakes from the sea to attack Laocoon who warns

Laocoon - Minerva supporting the Greeks sends the snakes from the sea to attack Laocoon who warns the inhabitants of
JLJ4601410 Laocoon - Minerva supporting the Greeks sends the snakes from the sea to attack Laocoon who warns the inhabitants of the city of Trojan against the horse

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Banderillas with firecrackers, plate 31 of The Art of Bullfighting, pub. 1816 (etching)

Banderillas with firecrackers, plate 31 of The Art of Bullfighting, pub. 1816 (etching)
IND81931 Banderillas with firecrackers, plate 31 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.9x35.7 cm; Private Collection; Index Fototeca

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The valiant Moor Gazul is the first to spear bulls according to rules

The valiant Moor Gazul is the first to spear bulls according to rules, plate 5 of The Art of Bullfighting, pub
IND81905 The valiant Moor Gazul is the first to spear bulls according to rules, plate 5 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Disrobing of Christ. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453)

The Disrobing of Christ. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453)
LRI4613196 The Disrobing of Christ. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of)

Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c
1448878 Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c.1510 (panel) (detail of 71398) by Bosch, Hieronymus (c.1450-1516); Prado

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Two teams of picadors thrown one after the other by a single bull

Two teams of picadors thrown one after the other by a single bull, plate 32 of The Art of Bullfighting, pub
IND81932 Two teams of picadors thrown one after the other by a single bull, plate 32 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Moors make a different play in the ring with their burnous

The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching)
IND81906 The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: 131-0635421 The Court Prison, Madrid, 1670

131-0635421 The Court Prison, Madrid, 1670
IND86697 The Court Prison, Madrid, 1670 by Spanish School, (17th century); Ministry of Foreign Affairs, Madrid, Spain; (add.info.: now the Ministerio de Asuntos Exteriores; ); Index Fototeca

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Happy fantasy, plate 12 of Proverbs, 1819-23, pub. 1864 (etching)

Happy fantasy, plate 12 of Proverbs, 1819-23, pub. 1864 (etching)
IND82112 Happy fantasy, plate 12 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Pyramids of Giza, from a series of the Seven Wonders of the World, 1886 (engraving)

The Pyramids of Giza, from a series of the Seven Wonders of the World, 1886 (engraving)
IND388242 The Pyramids of Giza, from a series of the Seven Wonders of the World, 1886 (engraving) by Knab, Ferdinand (1834-1902); Private Collection; (add.info)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The celebrated picador Fernando del Toro draws the fierce beast on with his pike

The celebrated picador Fernando del Toro draws the fierce beast on with his pike, plate 27 of The Art of Bullfighting
IND81927 The celebrated picador Fernando del Toro draws the fierce beast on with his pike, plate 27 of The Art of Bullfighting, pub

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: A picador is unhorsed and falls under the bull, plate 26 of The Art of Bullfighting, pub

A picador is unhorsed and falls under the bull, plate 26 of The Art of Bullfighting, pub. 1816 (etching)
IND81926 A picador is unhorsed and falls under the bull, plate 26 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa

Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa
IND81922 Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa, plate 22 of The Art of Bullfighting, pub

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: 193-0082141 Neither more nor less, plate 41 of Los caprichos, 1799 (etching)

193-0082141 Neither more nor less, plate 41 of Los caprichos, 1799 (etching)
IND81660 Neither more nor less, plate 41 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The four allegories: desillusion or deception. circa 1565 (painting)

The four allegories: desillusion or deception. circa 1565 (painting)
LRI4612237 The four allegories: desillusion or deception. circa 1565 (painting) by Veronese, (Paolo Caliari) (1528-88); National Gallery, London

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Council of Thirty (1545-47), called by Pope Paul III. First period (coloured engraving)

Council of Thirty (1545-47), called by Pope Paul III. First period (coloured engraving)
IND388251 Council of Thirty (1545-47), called by Pope Paul III. First period (coloured engraving) by Italian School, (18th century); Private Collection; (add.info.: Concilio de Trento (1545-47)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Titlepage of Los Proverbios or Proverbs, 1819-23, pub. by the Spanish Royal Academy of Fine Arts

Titlepage of Los Proverbios or Proverbs, 1819-23, pub. by the Spanish Royal Academy of Fine Arts in Madrid
IND82100 Titlepage of Los Proverbios or Proverbs, 1819-23, pub. by the Spanish Royal Academy of Fine Arts in Madrid, 1864 (etching) by Goya y Lucientes

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: 193-0082178 Be quick, they are waking up, plate 78 of Los caprichos, 1799 (etching)

193-0082178 Be quick, they are waking up, plate 78 of Los caprichos, 1799 (etching)
IND81697 Be quick, they are waking up, plate 78 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: 193-0082173 It is better to be lazy, plate 73 of Los caprichos, 1799 (etching)

193-0082173 It is better to be lazy, plate 73 of Los caprichos, 1799 (etching)
IND81692 It is better to be lazy, plate 73 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: 193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching)

193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching)
IND81650 She prays for her, plate 31 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: 193-0082116 God forgive her: and it was her mother, plate 16 of Los caprichos, pub. 1799 (etching)

193-0082116 God forgive her: and it was her mother, plate 16 of Los caprichos, pub. 1799 (etching)
IND81635 God forgive her: and it was her mother, plate 16 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.2x15.1 cm; Private Collection; Index Fototeca



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