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Francisco Jose de Goya y Lucientes Cushion Collection

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Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Sleep of Reason Produces Monsters, from Los Caprichos (engraving)

The Sleep of Reason Produces Monsters, from Los Caprichos (engraving)
XIR158286 The Sleep of Reason Produces Monsters, from Los Caprichos (engraving) (b/w photo) (see also 81662) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: I Am Still Learning (Aun Aprendo) (charcoal on paper)

I Am Still Learning (Aun Aprendo) (charcoal on paper)
BBC193310 I Am Still Learning (Aun Aprendo) (charcoal on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Ball at the Moulin de la Galette, 1876 (oil on canvas)

Ball at the Moulin de la Galette, 1876 (oil on canvas)
XIR36481 Ball at the Moulin de la Galette, 1876 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 131x175 cm; Musee d Orsay, Paris, France; French, out of copyright

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926440 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 154x256 cm; Chateau d'Angers

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: They make their toilet, c.1820 (engraving)

They make their toilet, c.1820 (engraving)
PCT4265532 They make their toilet, c.1820 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Engraving by Francisco Goya y Lucientes (1746-1828)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Second grammar book, Librairie Larousse, early 20th century

Second grammar book, Librairie Larousse, early 20th century
PCT4265540 Second grammar book, Librairie Larousse, early 20th century. by Avril, Edouard-Henri (Paul) (1849-1928); (add.info.: Second grammar book, Librairie Larousse, early 20th century)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Hasta su abuelo (to his aieul) (engraving)

Hasta su abuelo (to his aieul) (engraving)
PCT4265537 Hasta su abuelo (to his aieul) (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Hasta su abuelo (to his aieul) engraving by Francisco Goya y Lucientes (1746-1828)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Still Life, c. 1908 (oil on canvas)

Still Life, c. 1908 (oil on canvas)
GLS224010 Still Life, c.1908 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 15.9x25.4 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Boys Playing at Soldiers, c. 1775-99 (oil on canvas)

Boys Playing at Soldiers, c. 1775-99 (oil on canvas)
GLS29679 Boys Playing at Soldiers, c.1775-99 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 29.2x41.9 cm; Stirling Maxwell Collection, Pollok House, Glasgow

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Three Coins (engraved wooden block)

Three Coins (engraved wooden block)
3929996 Three Coins (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)

Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)
3745584 Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 29x43 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Study For Pygmalion And Galatea, c. 1797 (chalk on paper)

Study For Pygmalion And Galatea, c. 1797 (chalk on paper)
6041274 Study For Pygmalion And Galatea, c.1797 (chalk on paper) by Gauffier, Louis (1761-1801); 18.1x24.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)

Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)
3745578 Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x23 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Fortress of Konigstein: Courtyard with the Brunnenhaus, 1756-58 (oil on canvas)

The Fortress of Konigstein: Courtyard with the Brunnenhaus, 1756-58 (oil on canvas)
940221 The Fortress of Konigstein: Courtyard with the Brunnenhaus, 1756-58 (oil on canvas) by Bellotto, Bernardo (1720-80); 133.9x238 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Bright Cloud, 1833-34 (oil & tempera on mahogany panel)

The Bright Cloud, 1833-34 (oil & tempera on mahogany panel)
3928982 The Bright Cloud, 1833-34 (oil & tempera on mahogany panel) by Palmer, Samuel (1805-81); 23.3x32 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint)

No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)
3745581 No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters)

El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint)
3745577 El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)

Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)
3745575 Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing) by Goya y Lucientes, Francisco Jose de (1746-1828); 30x42 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: List of articles sold by Sarah Thrifty, 1820-40 (print)

List of articles sold by Sarah Thrifty, 1820-40 (print)
4429312 List of articles sold by Sarah Thrifty, 1820-40 (print) by European School, (19th century); Manchester Art Gallery, UK; (add.info.: Pedlar doll, called Sarah Thrifty: jointed wood)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)

Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)
3959779 Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.3x34.5 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Study of Willow Leaves, c. 1857 (pencil & w/c on paper)

Study of Willow Leaves, c. 1857 (pencil & w/c on paper)
3960778 Study of Willow Leaves, c.1857 (pencil & w/c on paper) by Ruskin, John (1819-1900); 29.9x13.9 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)

No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)
3745585 No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Sir Hiram Stevens Maxim - portrait standing

Sir Hiram Stevens Maxim - portrait standing
3919255 Sir Hiram Stevens Maxim - portrait standing by Ward, Leslie Matthew (Spy) (1851-1922); (add.info.: Sir Hiram Stevens Maxim - portrait standing)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas)

Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas)
JLJ4650294 Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Une fenetre a Naples. (Vue sur le Vesuve, Vesuvio) Peinture de Franz Ludwig Catel (1778-1856) Ec

Une fenetre a Naples. (Vue sur le Vesuve, Vesuvio) Peinture de Franz Ludwig Catel (1778-1856) Ec. All. 1824
JLJ4606991 Une fenetre a Naples. (Vue sur le Vesuve, Vesuvio) Peinture de Franz Ludwig Catel (1778-1856) Ec. All. 1824. Cleveland, Museum Of Art --- A view of Naples through a window

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: La maja desnuda (The Nude Maja), c. 1800 (oil on canvas)

La maja desnuda (The Nude Maja), c. 1800 (oil on canvas)
JLJ4667793 La maja desnuda (The Nude Maja), c. 1800 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 95x190 cm; Prado, Madrid

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Fall of the Vendome Column, 29th May 1871 (w/c on paper)

The Fall of the Vendome Column, 29th May 1871 (w/c on paper)
1860443 The Fall of the Vendome Column, 29th May 1871 (w/c on paper) by Pils, Isidore (1813-75); (add.info.: The Paris Commune, 1871 : Vendome square without the column brought down on may 16, 1871)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Se Repulen (They're doing well), c. 1802 (engraving)

Se Repulen (They're doing well), c. 1802 (engraving)
1856370 Se Repulen (They're doing well), c. 1802 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris, France; (add.info.: Se Repulen (They're doing well)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: 7393592

7393592

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas)

Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas)
1109266 Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 127x101.6 cm; Metropolitan Museum of Art, New York

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Harbinger of Charles Quint received by Francois I, 1909 (illustration)

Harbinger of Charles Quint received by Francois I, 1909 (illustration)
1858427 Harbinger of Charles Quint received by Francois I, 1909 (illustration) by Robida, Albert (1848-1926); (add.info.: Harbinger of Charles Quint received by french king Francois 1st (1494-1547)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Buen Viage (Safe trip). Wing Monsters. c. 1802 (engraving)

Buen Viage (Safe trip). Wing Monsters. c. 1802 (engraving)
1856385 Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Buen Viage (Safe trip!). Monstres ailes

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)

GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)
CUL4870263 GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: A gaiety girl, ca. 1893-1899 (poster)

A gaiety girl, ca. 1893-1899 (poster)
1804744 A gaiety girl, ca.1893-1899 (poster) by Hardy, Dudley (1867-1922); (add.info.: A gaiety girl. Coll. Part.); Photo © CCI

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: monsters, engraving 1797-1799

monsters, engraving 1797-1799
1794081 monsters, engraving 1797-1799 by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: monsters, spanish engraving by Goya series of the "Whims (Los Caprichos)" in 1797-1799

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The Virgin of the Immaculee Conception, 1607-13 (oil on canvas)

The Virgin of the Immaculee Conception, 1607-13 (oil on canvas)
CUL4930192 The Virgin of the Immaculee Conception, 1607-13 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); 347x174 cm; Museo de Santa Cruz, Toledo

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25)

GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25. 1 x 35. 9 cm)
CUL4871900 GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25.1 x 35.9 cm). ROMERO, Pedro (1754-1839). Spanish bullfighter

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4925267 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)

GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)
CUL4874394 GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm). Plate 1 of " Proverbs". Romanticism. Engraving. SPAIN

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778

GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778
CUL4878576 GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778. PHILIP III of Spain (1578-1621). King of Spain (1598-1621)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Young girl attending an immortal, So pagoda, Hanoi, 16th century (lacquered wood)

Young girl attending an immortal, So pagoda, Hanoi, 16th century (lacquered wood)
5309902 Young girl attending an immortal, So pagoda, Hanoi, 16th century (lacquered wood) by Vietnamese school, (16th century); Museum of Fine Arts, Hanoi, Vietnam; Photo © Stefano Baldini

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)
CUL4874729 GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm). Plate 55 of " Los Caprichos", etching and burnished aquatint. Romanticism. Engraving. Etching

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: A royal ram with a gold chain, c. 1585 (opaque w/c & gold on paper)

A royal ram with a gold chain, c. 1585 (opaque w/c & gold on paper)
XOS5884799 A royal ram with a gold chain, c. 1585 (opaque w/c & gold on paper) by Indian School, (16th century); Cleveland Museum of Art, OH, USA; (add.info.: India)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum)

GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum)
CUL4871908 GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. 1816. (24.9 x 35.7 cm)

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Portrait of Isabella II as a child (oil on canvas)

Portrait of Isabella II as a child (oil on canvas)
CUL4847412 Portrait of Isabella II as a child (oil on canvas) by Lopez y Portana, Vicente (1772-1850); Army Museum, Toledo, Spain; (add.info.: By Vicente LOPEZ Y PORTANA (1772-1850) Toledo

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm)
CUL4877269 GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. (21 x 14'5 cm). Plate 80 of " Los Caprichos", etching, burnished aquatint, drypoint and chisel. Romanticism

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Illustration of Henri Gousse (1872-1914) in Le Rire, 31/08/07 - At the Moroccan camp - Germany

Illustration of Henri Gousse (1872-1914) in Le Rire, 31/08/07 - At the Moroccan camp - Germany Prussia, Morocco
ICA4861404 Illustration of Henri Gousse (1872-1914) in Le Rire, 31/08/07 - At the Moroccan camp - Germany Prussia, Morocco, Maghreb - Guillaume II by Gousse

Background imageFrancisco Jose de Goya y Lucientes Cushion Collection: Pretty Teacher. 1793-1799 (aquatint)

Pretty Teacher. 1793-1799 (aquatint)
CUL4874399 Pretty Teacher. 1793-1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x14 cm; Biblioteca Nacional, Madrid, Spain; (add.info.: By GOYA Y LUCIENTES)



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