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Portrait of Attila (395-453) King of the Huns - drawing from "I misteri del vaticano" by Franco Mistrali 1843

Portrait of Attila (395-453) King of the Huns - drawing from 'I misteri del vaticano' by Franco Mistrali 1843


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Portrait of Attila (395-453) King of the Huns - drawing from "I misteri del vaticano" by Franco Mistrali 1843

ELD4957752 Portrait of Attila (395-453) King of the Huns - drawing from "I misteri del vaticano" by Franco Mistrali 1843; Private Collection; (add.info.: Portrait of Attila (395-453) King of the Huns - drawing from "I misteri del vaticano" by Franco Mistrali 1843); Photo © The Holbarn Archive

Media ID 32083706

© Bridgeman Images

5 5th V Vth Century 5th 5th 5th V Vth Th Century 5th Century Barbaric C5th City Of Cape Town Corporation Mace Spine The Tempest Vth Century Isadora


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EDITORS COMMENTS
This print showcases a remarkable drawing of Attila (395-453), the powerful King of the Huns. Taken from Franco Mistrali's renowned work "I misteri del vaticano" in 1843, this portrait offers a glimpse into the enigmatic life and persona of one of history's most formidable figures. The image captures Attila with an air of authority and strength, reflecting his status as a barbaric leader during the 5th century. The intricate engraving brings out the human essence behind his fierce reputation, revealing layers of complexity beneath his warrior exterior. Intriguingly, this artwork is part of a private collection that holds historical treasures like this rare depiction. Its inclusion in Mistrali's publication adds to its significance, showcasing how art can illuminate moments from ancient times. While not explicitly mentioned in the caption details, it is worth noting that this photograph does not pertain to any commercial use but rather serves as an artistic representation preserved by Bridgeman Images' Fine Art Finder. Through this mesmerizing print, viewers are transported back in time to witness Attila's presence at various ceremonial events or parties. It sparks curiosity about his role within societies such as South Africa and their connection to William Shakespeare's play "The Tempest". The costumes depicted hint at elaborate theatrical performances while also highlighting cultural influences from different eras. Overall, this print invites contemplation on history, power dynamics, and artistic expression through its portrayal of

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