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Hanging of Revelation (1373 -1383), n. 71: Judges. Tapestry by Nicolas Bataille
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Hanging of Revelation (1373 -1383), n. 71: Judges. Tapestry by Nicolas Bataille
JLJ4672031 Hanging of Revelation (1373 -1383), n. 71: Judges. Tapestry by Nicolas Bataille (1330-1405), 14th century. Angers, Musee De La Tapestry by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers, France; (add.info.: Hanging of Revelation (1373 -1383), n. 71: Judges. Tapestry by Nicolas Bataille (1330-1405), 14th century. Angers, Musee De La Tapestry); Photo ePhoto Josse; French, out of copyright
Media ID 22465624
© Josse / Bridgeman Images
Apocalypse Apotre Christendom End Of The World Eyesight Saint John Conversation
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This print showcases the intricate tapestry titled "Hanging of Revelation (1373-1383), n. 71: Judges" created by Nicolas Bataille in the 14th century. Displayed at the Musee des Tapisseries in Angers, France, this masterpiece takes us back to a time when art was meticulously crafted by hand. The tapestry depicts a scene from the Book of Revelation, where judges are portrayed amidst an apocalyptic setting. The artist's attention to detail is evident as he skillfully weaves together vibrant colors and delicate textures to bring this biblical narrative to life. As we gaze upon this artwork, it sparks conversations about Christianity and its rich history. It reminds us of Christendom during the Middle Ages and invites contemplation on themes such as faith, salvation, and divine judgment. The Hanging of Revelation serves not only as a visual representation but also as a window into the past - a glimpse into medieval France and its artistic traditions. This photograph captures every intricate detail with precision, allowing us to appreciate Bataille's mastery even centuries later. Through this image, we can almost feel transported back in time; our eyesight connecting with Saint John's vision while standing before this remarkable piece of religious art. It stands as a testament to human creativity and devotion throughout history.
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