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One Hundred Proverbs: Behind the Cross Often Stands the Devil, 1845 (engraving)
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One Hundred Proverbs: Behind the Cross Often Stands the Devil, 1845 (engraving)
7211797 One Hundred Proverbs: Behind the Cross Often Stands the Devil, 1845 (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info.: One hundred proverbs, engraving by JJ Granville (or J.J. Grandville, pseudonym of Jean Ignace Isidore Gerard, 1803-1847), 1845 - Behind the cross often stands the Devil - French expression evoking feminine trickery. The Evil Woman is a common misogynistic image - demonization, misogyny - 100 proverbs, engraving by JJ Granville); © Patrice Cartier
Media ID 24738428
© Patrice Cartier / Bridgeman Images
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This engraving titled "One Hundred Proverbs: Behind the Cross Often Stands the Devil" by Grandville (Jean Ignace Isidore Gerard) transports us to 19th century France, where allegory and symbolism were prevalent in art. The image depicts a thought-provoking scene that explores themes of deception, misogyny, and religious beliefs. In this intricate artwork, we see a woman disguised behind a cross while an eerie devil lurks behind her. This French expression suggests feminine trickery and highlights the demonization of women during that era. The artist's use of allegorical figures adds depth to the piece, inviting viewers to reflect on societal attitudes towards gender roles. The engraving showcases Grandville's exceptional attention to detail as he meticulously captures every element of costume design and attire. The cross symbolizes Christianity and its values while also serving as a disguise for the deceitful woman. Meanwhile, the devil represents temptation and evil forces lurking beneath seemingly innocent appearances. The composition raises questions about identity and perception as it challenges traditional notions of good versus evil. Through his masterful craftsmanship, Grandville invites us into a world where demons hide behind crosses and women are seen as agents of manipulation. This remarkable print serves as both a historical artifact from 19th-century Europe and an enduring commentary on human nature. It reminds us that appearances can be deceiving, urging us to look beyond surface-level impressions in our own lives.
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