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The Denial of Peter, c. 1624-1628 (oil on wood)

The Denial of Peter, c. 1624-1628 (oil on wood)


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The Denial of Peter, c. 1624-1628 (oil on wood)

499807 The Denial of Peter, c.1624-1628 (oil on wood)
by Wtewael, Peter (1596-1660); 43.81x60.96 (framed) 28x45.5 (unframed) cm; Cleveland Museum of Art, OH, USA; (add.info.: Wtewael depicted the moment after the Last Supper when the apostle Peter (at the left) denied knowing Jesus in order to protect himself from Roman soldiers searching for Christs followers. Few
works by this artist are known, and he draws on an unusual combination of styles. The dramatic use of light derives from Dutch followers of the Italian painter Caravaggio, in vogue around 1625, while the twisting bodies, startlingly low viewpoint, and tight detailing come from a more refined, courtly mode more popular earlier in the century.); Gift of Mr. and Mrs. Noah L. Butkin; Dutch, out of copyright

Media ID 23180014

© Gift of Mr. and Mrs. Noah L. Butkin / Bridgeman Images

Apostle Betrayal Denial Disciple Lantern Nocturnal Peter Romans Biblical Scene Flames


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> Arts > Artists > C > Caravaggio

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EDITORS COMMENTS
The Denial of Peter" is a captivating oil painting by Dutch artist Peter Wtewael, created between 1624 and 1628. The artwork, now housed in the Cleveland Museum of Art in Ohio, USA, showcases a pivotal moment after the Last Supper. In this scene, we witness the apostle Peter (positioned on the left) denying any association with Jesus to protect himself from Roman soldiers who are fervently searching for Christ's followers. Wtewael's masterpiece combines various artistic styles to create an intriguing composition. The dramatic use of light draws inspiration from Dutch artists influenced by Caravaggio during that period. Simultaneously, the twisting bodies, low viewpoint, and meticulous detailing reflect a more refined courtly style popular earlier in the century. The painting features several significant elements that enhance its narrative power. A soldier stands prominently at the center clad in armor and wielding both sword and axe while holding a lantern to illuminate his surroundings during this nocturnal biblical scene. Flames flicker nearby as symbols of betrayal and denial engulfing Peter amidst his turmoil. Wtewael's work offers viewers an opportunity to contemplate themes such as faithfulness, loyalty, and human weakness within religious contexts. This rare gem among Wtewael's limited body of known works exemplifies his ability to merge contrasting artistic techniques seamlessly into one compelling piece.

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