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Fernando Alvarez de Toledo (1508-82) 3rd Duke of Alba in the Cathedral of St

Fernando Alvarez de Toledo (1508-82) 3rd Duke of Alba in the Cathedral of St


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Fernando Alvarez de Toledo (1508-82) 3rd Duke of Alba in the Cathedral of St

XIR243482 Fernando Alvarez de Toledo (1508-82) 3rd Duke of Alba in the Cathedral of St. Gudule, 1815 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Musee Ingres, Montauban, France; (add.info.: commissioned by 14th duke to commemorate 3rd duke the Butcher of Flanders who suppressed Protestant heresy in the Netherlands as governor general from 1567-73 condemning some 12, 000 rebels to death; red-dominated picture to symbolise a bloodbath; ); French, out of copyright

Media ID 23209966

© Bridgeman Images

Albe Cardinals Unfinished


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EDITORS COMMENTS
This print showcases the remarkable painting "Fernando Alvarez de Toledo (1508-82) 3rd Duke of Alba in the Cathedral of St. Gudule" by Jean Auguste Dominique Ingres. Created in 1815, this oil on canvas masterpiece can be found at the Musee Ingres in Montauban, France. Commissioned by the 14th duke to honor his ancestor, the infamous 3rd Duke of Alba, known as the Butcher of Flanders, this painting holds a significant historical narrative. The third duke served as governor general from 1567 to 1573 and was responsible for suppressing Protestant heresy in the Netherlands during that time. His brutal tactics resulted in condemning approximately 12,000 rebels to death. Ingres skillfully captures this dark chapter through a red-dominated color palette symbolizing a bloodbath. The unfinished nature of the painting adds an intriguing element, leaving viewers with a sense of mystery and curiosity about its intended completion. The image depicts an interior scene within St. Gudule Cathedral where aristocracy and cardinals gather for what appears to be a council meeting or perhaps even the notorious Council of Blood or Council of Troubles associated with Alba's reign. Despite being abandoned by Ingres himself in 1819, this artwork remains an important testament to history and society's fascination with power dynamics and their consequences. Its presence serves as a reminder not only of artistic prowess but also prompts contemplation

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