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Muscari a bunch or muscari neglige - Lithography by James Sowerby (1757-1822), from the Botanical Magazine by William Curtis (1746-1799), 1790 (England) - Starch hyacinth
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Muscari a bunch or muscari neglige - Lithography by James Sowerby (1757-1822), from the Botanical Magazine by William Curtis (1746-1799), 1790 (England) - Starch hyacinth
FLO4578243 Muscari a bunch or muscari neglige - Lithography by James Sowerby (1757-1822), from the Botanical Magazine by William Curtis (1746-1799), 1790 (England) - Starch hyacinth, Muscari neglectum (Hyacinthus racemosus) - Handcolored copperplate engraving from an illustration by James Sowerby from W. Curtis's Botanical " "Lambeth, London, 1790 by Sowerby, James (1757-1822); (add.info.: Muscari a bunch or muscari neglige - Lithography by James Sowerby (1757-1822), from the Botanical Magazine by William Curtis (1746-1799), 1790 (England) - Starch hyacinth, Muscari neglectum (Hyacinthus racemosus) - Handcolored copperplate engraving from an illustration by James Sowerby from W. Curtis's Botanical " "Lambeth, London, 1790); © Florilegius
Media ID 28380704
© Florilegius / Bridgeman Images
Without People Botanical Board Britisch Britisch Florilegius Various Plants Without Anyone
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This lithograph, created by James Sowerby in 1790, showcases the delicate beauty of the Muscari neglectum, commonly known as the Starch hyacinth. Featured in William Curtis's Botanical Magazine, this handcolored copperplate engraving is a testament to Sowerby's artistic talent and attention to detail. The image depicts a bunch of Muscari neglectum flowers gracefully arranged on a botanical board. Each flower exhibits intricate detailing and vibrant colors that bring it to life. The artist's skillful use of lithography captures the essence of these blossoms with remarkable precision. Sowerby's work not only serves as an aesthetic masterpiece but also contributes to our knowledge of various plants. This particular print offers valuable insights into the natural history and botanical diversity prevalent during the late 18th century in England. As we gaze upon this enchanting artwork, we are transported back in time to an era when scientific exploration merged seamlessly with artistry. It reminds us of the importance placed on documenting and understanding nature during this period. This exquisite piece from Bridgeman Images is a testament to both Sowerby's talent as an artist and his dedication to preserving botanical knowledge for generations to come. It stands as a timeless representation of English flora and continues to captivate viewers with its elegance and charm today.
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