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Pieta with Saint Francois of Assisi and Saint Mary Magdalene Painting by Annibale

Pieta with Saint Francois of Assisi and Saint Mary Magdalene Painting by Annibale


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Pieta with Saint Francois of Assisi and Saint Mary Magdalene Painting by Annibale

JLJ4677916 Pieta with Saint Francois of Assisi and Saint Mary Magdalene Painting by Annibale Carracci or Annibal Carrache (1560-1609). 1602. Sun 2, 77x1, 87 m by Carracci, Annibale (1560-1609); Louvre, Paris, France; (add.info.: Pieta with Saint Francois of Assisi and Saint Mary Magdalene Painting by Annibale Carracci or Annibal Carrache (1560-1609). 1602. Sun 2, 77x1, 87 m); Photo ePhoto Josse; Italian, out of copyright

Media ID 22830442

© Josse / Bridgeman Images

Pieta Saint Francis Of Assisi Saint Mary Madeleine Seicento


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EDITORS COMMENTS
This print showcases the renowned masterpiece "Pieta with Saint Francois of Assisi and Saint Mary Magdalene" painted by Annibale Carracci or Annibal Carrache in 1602. The painting, measuring an impressive 2.77x1.87 meters, is housed in the Louvre Museum in Paris, France. The artwork depicts a poignant scene from biblical history, portraying the grief-stricken Virgin Mary cradling the lifeless body of Jesus Christ after his crucifixion. Standing beside them are two revered figures: Saint Francois of Assisi and Saint Mary Magdalene. Carracci's skillful brushwork brings this emotional tableau to life, capturing every detail with precision and depth. The composition evokes a sense of profound sorrow and spiritual contemplation as the figures mourn their beloved savior. The artist's mastery shines through in his ability to convey human emotions through paint, making this piece a true testament to his talent during the Seicento period of Italian art. As viewers gaze upon this remarkable print, they are transported back in time to witness a pivotal moment in Christian history. It serves as a reminder of faith, sacrifice, and redemption that resonates across centuries. This photograph captures not only the beauty of Carracci's masterpiece but also its enduring significance within religious art history.

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