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Ancient Spain divided into three distinct areas, namely Terraconensis, Lusitania and Baetica and also divided into peoples, engraving by G. Zuliani taken from Tome I of the "Newest Atlas"published in Venice in 1785 by Antonio Zatta
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Ancient Spain divided into three distinct areas, namely Terraconensis, Lusitania and Baetica and also divided into peoples, engraving by G. Zuliani taken from Tome I of the "Newest Atlas"published in Venice in 1785 by Antonio Zatta
3572586 Ancient Spain divided into three distinct areas, namely Terraconensis, Lusitania and Baetica and also divided into peoples, engraving by G. Zuliani taken from Tome I of the " Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection by Zuliani, G. (18th century); (add.info.: Artist: Zuliani G.
Date of Artwork: 1785
Location: Florence
Photographer: Alinari); Alinari Archives, Florence
Media ID 22971264
© Alinari Archives, Florence / Bridgeman Images
Abstract Concept And Symbol Cartography Communication And Publicity Concept Or Subject Expressed Drawing And Graphics Geographical Or Topographical Map Graphics Instrument And Document Movable Modern Work Renaissance Baroque Styles And Periods Scene Means Of Communication Territory
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EDITORS COMMENTS
This print showcases an engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. The artwork depicts Ancient Spain divided into three distinct areas: Terraconensis, Lusitania, and Baetica. These regions are further divided into various peoples, highlighting the rich diversity of this ancient land. The artist's intricate craftsmanship is evident in every detail of this map. The delicate lines and precise markings bring to life the geographical features and boundaries of each territory. This piece beautifully combines elements of Renaissance and Baroque styles, showcasing a fusion of artistic influences from that period. Beyond its cartographic significance, this engraving also serves as a symbol of communication and publicity during the eighteenth century. It represents an instrument for documenting knowledge about geography and history while providing a visual representation for abstract concepts related to territories and cultures. As we gaze upon this remarkable work, we are transported back in time to explore the vibrant landscapes and diverse communities that once thrived within Ancient Spain. It serves as a testament to human curiosity and our constant quest for understanding our world through artistry and innovation. This print is part of a private collection by G. Zuliani from the 18th century, now preserved at Alinari Archives in Florence. Its historical value lies not only in its portrayal of Ancient Spain but also as a movable modern work that continues to inspire awe centuries later.
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