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Asian Turkey, including Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, Syria, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas"published in Venice in 1784 by Antonio Zatta, Private Collection
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Asian Turkey, including Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, Syria, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas"published in Venice in 1784 by Antonio Zatta, Private Collection
3572580 Asian Turkey, including Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, Syria, engraving by G. Zuliani taken from Tome IV of the " Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection by Zuliani, G. (18th century); (add.info.: Artist: Zuliani G.
Date of Artwork: 1784
Location: Florence
Photographer: Alinari); Alinari Archives, Florence
Media ID 22735656
© Alinari Archives, Florence / Bridgeman Images
Abstract Concept And Symbol Cartography Communication And Publicity Concept Or Subject Expressed Drawing And Graphics Geographical Or Topographical Map Graphics Instrument And Document Movable Modern Work Renaissance Baroque Styles And Periods Scene Means Of Communication Territory
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EDITORS COMMENTS
This print showcases an engraving by G. Zuliani, taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta. The artwork depicts Asian Turkey, including Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, and Syria. It is part of a private collection and is currently housed at the Alinari Archives in Florence. The image transports us back to the eighteenth century when cartography was a vital means of communication. With its renaissance baroque style and period influences, this topographical map represents both a movable modern work and an allegory for communication and publicity. The intricate graphics and abstract symbols on this geographical map highlight the importance of geography as an instrument for understanding our world. The detailed engravings showcase various landscapes and landmarks across Asia Minor. This engraving not only serves as a valuable historical document but also reflects the artistic skill of G. Zuliani in capturing the essence of these regions during that era. Its depiction of Asia Minor provides insight into early eighteenth-century perceptions while showcasing the beauty found within its borders. Overall, this print offers viewers a glimpse into history through its combination of artistry and cartographic precision. It stands as a testament to human curiosity about our surroundings while reminding us of the power that maps hold in shaping our understanding of the world around us.
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