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Francoise Louis de la Baume le Blanc (1644-1710) Mademoiselle de la Valliere

Francoise Louis de la Baume le Blanc (1644-1710) Mademoiselle de la Valliere


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Francoise Louis de la Baume le Blanc (1644-1710) Mademoiselle de la Valliere

XIR180665 Francoise Louis de la Baume le Blanc (1644-1710) Mademoiselle de la Valliere, as Diana (gouache on paper) by Werner, Joseph (1637-1710); ChAteau de Versailles, France; Swiss, out of copyright

Media ID 23355646

© Bridgeman Images

Arbour Artemis Attendant Attendants Cleaner Cleaning Lady Dead Bird Duchess Entourage Governess Greyhound Horn Hound Hounds Housekeeper Housemaid Huntress Nymph Rabbit Reclining Resting Maid Societies


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EDITORS COMMENTS
This print showcases the exquisite artwork titled "Francoise Louis de la Baume le Blanc (1644-1710) Mademoiselle de la Valliere, as Diana" by Joseph Werner. The painting, created in gouache on paper, is housed in the prestigious Château de Versailles in France. In this 17th-century masterpiece, Mademoiselle de la Valliere embodies the goddess of the hunt, Diana. She reclines gracefully with her loyal greyhound by her side while attendants stand nearby. Holding a horn and spear, she exudes an aristocratic air as she rests after a successful hunting expedition. The scene is filled with symbolism and detail - from the presence of a rabbit and dead bird representing game hunted to perfection to the hounds resting faithfully at their mistress's feet. The arbour provides a picturesque backdrop for this enchanting tableau. Mademoiselle de la Valliere's entourage includes an attendant who attends to her needs diligently. This miniature portrait captures not only her beauty but also highlights the opulence and grandeur of aristocratic society during that era. As we admire this stunning piece of art captured by Bridgeman Images, we are transported back to a time when maidens played games and walked with elegant canes through lavish estates. It serves as a reminder of both the splendor and complexity of life within noble households during the 17th and 18th centuries.

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