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The Escape No. 3, illustration from Jack Sheppard: A Romance
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The Escape No. 3, illustration from Jack Sheppard: A Romance
2636999 The Escape No. 3, illustration from Jack Sheppard: A Romance by William Harrison Ainsworth, published 1839 (hand coloured etching) by Cruikshank, George (1792-1878); Private Collection; (add.info.: Two illustrations: Lower Leads; The Highest Leads and the leads of the Turners house; semi-factual novel based on the life of the thief Jack Sheppard (1702-24); ); The Stapleton Collection; English, out of copyright
Media ID 23099272
© The Stapleton Collection / Bridgeman Images
Burglar Convicted Criminal Crowbar Escape Escaping Felon Felony Gaol Highwayman Infamous Jail Leads Notorious Pickpocket Prison Roofs Rooftops Thief Break Free Breakout Prisoner
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The Escape No. 3, illustration from Jack Sheppard - A Romance
EDITORS COMMENTS
is a captivating print that takes us back to the intriguing world of William Harrison Ainsworth's semi-factual novel. This hand-coloured etching by George Cruikshank, published in 1839, showcases two illustrations: "Lower Leads; The Highest Leads and the leads of the Turners house". The image transports us into the heart-pounding escapades of Jack Sheppard, a notorious thief and burglar who became infamous during the Georgian era. With his felonious skills and cunning character, Sheppard managed to break free from prison multiple times. In this particular scene, we witness Sheppard skillfully navigating across rooftops using crowbars and pickpocketing tools as he attempts another daring escape. The detailed depiction of roofs and leads adds an authentic touch to this thrilling moment. As we gaze at this print, we are reminded of the audacity and resourcefulness exhibited by highwaymen like Jack Sheppard. It serves as a reminder that even within confinement walls, some individuals possess an unyielding spirit yearning for freedom. This print from Fine Art Finder allows us to delve into history while appreciating both the artistic prowess of George Cruikshank's etching technique and Ainsworth's ability to bring characters like Jack Sheppard alive on paper. Let it be a testament to human resilience in overcoming obstacles – whether they be physical or metaphorical – as we strive towards liberation in our
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