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Antiochus and Stratonice, c. 1470 (tempera on panel)

Antiochus and Stratonice, c. 1470 (tempera on panel)


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Antiochus and Stratonice, c. 1470 (tempera on panel)

HEH416361 Antiochus and Stratonice, c.1470 (tempera on panel) by Ciampanti, Michele (fl.1463-d.1521); 43.2x109.2 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA, USA; (add.info.: Antiochus dying of love for his stepmother Stratonice; ); eHuntington Art Collections; eHuntington Library, Art Museum, and Botanical Gardens; Italian, out of copyright

Media ID 22675444

© Huntington Art Collections Huntington Library, Art Museum, and Botanical Gardens / Bridgeman Images

Cassone Deathbed Early Renaissance Ideal Idealised Lover Lovesick Lovestruck Narrative Syrian Theatrical Lovers Monarch Seleucus


FEATURES IN THESE COLLECTIONS

> Architecture > Country > San Marino

> Architecture > Styles > Classical Architecture

> Arts > Artists > R > George Romney

> Arts > Fine Art

> Arts > Portraits > Pop art gallery > Street art portraits

> Asia > Syria > Related Images

> Europe > Italy > Lazio > Marino

> Europe > San Marino > Paintings

> Europe > San Marino > San Marino

> Fine Art Finder > Artists > George Romney

> Fine Art Finder > Artists > Michele Ciampanti

> Fine Art Finder > Classical


EDITORS COMMENTS
This print showcases the exquisite artwork of "Antiochus and Stratonice" by Michele Ciampanti, created around 1470. Painted with tempera on panel, this masterpiece measures 43.2x109.2 cm and is housed in the prestigious Huntington Library, Art Museum, and Botanical Gardens in San Marino, CA. The painting depicts a poignant scene from ancient Syria where Antiochus finds himself consumed by love for his stepmother Stratonice. The composition beautifully captures their forbidden love as Antiochus lies on his deathbed, overwhelmed by his unrequited affection. The artist's attention to detail is evident in every brushstroke; from the architectural elements that create an atmospheric street scene to the dramatic expressions of both characters. This early Renaissance piece exudes a sense of idealized royalty and classical narrative. As we gaze upon this artwork, we are transported back in time to witness a theatrical moment filled with intense emotions. The crowd surrounding them adds depth to the story while emphasizing their status as monarchs. Ciampanti masterfully conveys Antiochus' lovesickness through subtle gestures and facial expressions that evoke empathy from viewers. This painting serves as a testament to the power of art in capturing complex human emotions. With its rich symbolism and skillful execution, "Antiochus and Stratonice" continues to captivate audiences today just as it did centuries ago when it was first created during the Italian Renaissance period.

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