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Mr. Giuseppe de Begnis as Don Geronio in "Il Turco in Italia" at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D
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Mr. Giuseppe de Begnis as Don Geronio in "Il Turco in Italia" at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D
FLO4594915 Mr. Giuseppe de Begnis as Don Geronio in "Il Turco in Italia" at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's " British Theatrical Gallery," London, Henry Berthoud Jr., 1825.; (add.info.: Mr. Giuseppe de Begnis as Don Geronio in "Il Turco in Italia" at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's " British Theatrical Gallery," London, Henry Berthoud Jr., 1825.); © Florilegius
Media ID 38157452
© © Florilegius / Bridgeman Images
1825 C European Economic Community C European Union Cooper Gallery Gift Giuseppe Haymarket Internship Performer Robert Stipple Terry Theatrical Waldeck Copperplate Grande Bretagne Turco
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This stunning handcoloured stipple copperplate engraving captures the charismatic Mr. Giuseppe de Begnis in his role as Don Geronio in "Il Turco in Italia" at the Italian Opera House Haymarket. The intricate details of his costume and expression are brought to life by artist Robert Cooper, who skillfully translated a painting by Frederic de Waldeck into this exquisite print.
Mr. Giuseppe de Begnis was a renowned performer of the 19th century, known for his powerful voice and captivating stage presence. In this portrayal of Don Geronio, he embodies the character with depth and emotion, drawing viewers into the world of Italian opera.
The British Theatrical Gallery curated by D. Terry showcases this masterpiece, highlighting the talent and artistry of both the actor and the artists involved in creating this work. The combination of Cooper's engraving technique and Waldeck's original painting results in a truly remarkable piece that captures a moment in theatrical history.
As we gaze upon this image, we are transported back to London's Haymarket Opera House in 1825, where Mr. Giuseppe de Begnis graced the stage as Don Geronio with grace and passion. It is a testament to the enduring legacy of opera and theatre, immortalized through art for generations to come.
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