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Emperor Justinian I and his retinue of officials, guards and clergy, c. 547 AD (mosaic)
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Emperor Justinian I and his retinue of officials, guards and clergy, c. 547 AD (mosaic)
XIR244979 Emperor Justinian I and his retinue of officials, guards and clergy, c.547 AD (mosaic) by Byzantine School, (6th century); San Vitale, Ravenna, Italy; (add.info.: Justinian I (483-565) is depicted carrying, possibly, Eucharist bread or a paten or a symbolic basket for receiving tribute; to his right, possibly, Belisarius and on the left, possibly, the banker, Julianus Argentarius, who paid for the building of the church; also shown is Maximian, archbishop of Ravenna from 545-553; the group of soldiers carry a shield with the Chi-Rho emblem, alluding to the victory of Constantine at the battle of the Milvian Bridge in 312 AD; Archibishop Maximian; ); out of copyright
Media ID 23362110
© Bridgeman Images
5 5th V Vth Century 6 6th Vi Vith Century Byzantine Empire Censer Chi Rho Emilia Romagna Mosaic Mosaics Ravenna Medieval Period Symbols
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EDITORS COMMENTS
This mosaic print showcases Emperor Justinian I and his esteemed retinue of officials, guards, and clergy. Created by the Byzantine School in the 6th century, this masterpiece is located in San Vitale, Ravenna, Italy. The image portrays Emperor Justinian I holding a significant object, possibly Eucharist bread or a paten symbolizing his devotion to Christianity. To his right stands Belisarius, a trusted military general who served under him. On the left side of the emperor is Julianus Argentarius, an influential banker who generously funded the construction of this very church. Amongst them all is Maximian, the archbishop of Ravenna during that time period. The soldiers accompanying them proudly carry a shield adorned with the Chi-Rho emblem—a powerful symbol representing Constantine's victorious triumph at the battle of Milvian Bridge in 312 AD. The intricate details within this mosaic reflect both religious and political significance during the Byzantine Empire's reign. Archbishop Maximian's presence further emphasizes their commitment to faith while also highlighting their authority over Ravenna. This artwork not only captures historical figures but also provides insight into medieval society through its depiction of robes worn by various individuals and even a censer held by one member of clergy. Overall, this mosaic serves as an extraordinary representation of power dynamics within Byzantine society while showcasing exceptional artistic craftsmanship from that era.
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