Chi Rho Collection

CHRISTIAN MONOGRAM. Xpistos, Greek monogram for Christ

Chi-Ro symbol with Alpha and Omega, Early Christian Sarcophagus, Rome, 4th century. The Chi Rho is one of the earliest forms of christogram

Roman tombstone with Christian iconography. Representation w
Early Christian Art. Italy. Early Christians. Roman tombstone with Christian iconography. Representation woman with a Chi Roho and a dove with olive branch (symbol of the soul of the dead)

Columbarium Tomb Plaque with the Monogram of Christ, 500-800 (terracotta)
491194 Columbarium Tomb Plaque with the Monogram of Christ, 500-800 (terracotta) by Spanish School; h:32.40 w:20.80 Wt: 13 lbs cm; Cleveland Museum of Art, OH

Christian sarcophagus decorated with scenes of the Passion of Christ including the Arrest
ALI121644 Christian sarcophagus decorated with scenes of the Passion of Christ including the Arrest and Christ before Pontius Pilate, from the Catacombs of St

Emperor Justinian I and his retinue of officials, guards and clergy, c. 547 AD (mosaic)
XIR244979 Emperor Justinian I and his retinue of officials, guards and clergy, c.547 AD (mosaic) by Byzantine School, (6th century); San Vitale, Ravenna

Top: Lid of a sarcophagus depicting Adam and Eve, Daniel and Jonah; Bottom
XIR172882 Top: Lid of a sarcophagus depicting Adam and Eve, Daniel and Jonah; Bottom: Christ Enthroned with St. Peter and St

Madonna Oriflamma, 1932 (tempera on canvas)
5642682 Madonna Oriflamma, 1932 (tempera on canvas) by Roerich, Nicholas (1874-1947); 173.5A--99.4 cm; Nicholas Roerich Museum, New York; eNicholas Roerich Museum; Russian, out of copyright

The Labarum, before 1663 (tapestry)
XIR173402 The Labarum, before 1663 (tapestry) by Rubens, Peter Paul (1577-1640) (after); Mobilier National, Paris, France; (add.info)

Madonna and Child (fresco)
704193 Madonna and Child (fresco) by Paleo-Christian, (4th century); Cimitero Maggiore, Rome, Italy; (add.info.: Madonna col Bambino ); out of copyright

Sarcophagus of bishop Theodore (marble)
XOT344546 Sarcophagus of bishop Theodore (marble) by Byzantine School, (6th century); Basilica Sant Apollinare in Classe, Ravenna, Emilia-Romagna, Italy; out of copyright

Early Christian symbols (stone)
491538 Early Christian symbols (stone) by Roman; Catacombs of San Callisto, Rome, Italy; (add.info.: Chi-Rho; Chi Rho; ); Photo eZev Radovan; out of copyright

Chi-Rho symbol from Coptic sarcophagus, 7th century. First used by Roman emperor Constantine the Great, ideally suited to symbolize the crucifixion of Christ

Water Newton Roman Silver from Peterborough, 3rd-4th century. This is the earliest known group of Christian silver from the Roman Empire (at British Museum)

Silver and Gold Plaque with Christian Chi-Rho from Water Newton Treasure, 3rd-4th century. From near Peterborough, England

Roman mosaic depicting the Chi-Rho symbol with alpha and omega. Found in Barcelona. Museum of History. Barcelona. Spain

Chi Rho. Church of Qalb Lozeh. Syria
Syria. Church of Qalb Lozeh. C.460. Chi Rho detail. Near Harim

Triptych, left panel, Philipp Melanchthon performs a baptism assisted by Martin Luther
XPH1631484 Triptych, left panel, Philipp Melanchthon performs a baptism assisted by Martin Luther; centre panel, the Last Supper with Luther amongst the Apostles; right panel

Four angels with the symbols of the evangelists surrounding the chi-rho monogram of Christ
XIR161171 Four angels with the symbols of the evangelists surrounding the chi-rho monogram of Christ, from the vault of the Chapel of the Archdiocese (mosaic) by Byzantine School

Reliquary depicting Christ wrapped up in a palm crown, terracotta 5th Century A.D. Tunisia, Carthage, Musee National De Carthage (Archaeological Museum), Early Christian art

Tunisia, Kelibia, Baptismal font decorated with a mosaic work, dedicated to Saint Cyprian, bishop of Carthagines, (circa 210-258 A.D.) 6th Century A.D

Tunisia, The Uppenna Mosaic, Mosaic work depicting a tomb with an epitaph: alpha and omega (the beginning and the end) 5th century A.D

Decorated lamp, terracotta 5th century A.D. Tunisia, Tunis, Musee National Du Bardo (Archaeological Museum), Early Christian art

Tombstone of Beratius Nikatoras C016 / 8798
Funerary plaque of Beratius Nikatoras from an underground burial chamber, the Hypogeum Campana in Rome. It dates from the 3rd century AD when Christians were persecuted in the Roman Empire

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"Exploring the Rich Symbolism of Chi Rho: A Christian Monogram" The Chi Rho, also known as the Xpistos or Greek monogram for Christ, holds a significant place in Christian iconography. From Roman tombstones to mosaics and sarcophagi, this powerful symbol has left its mark throughout history. In ancient Rome, a Roman tombstone adorned with Christian iconography showcased the representation of the Chi-Rho symbol alongside other religious motifs. This mosaic depicted not only the Chi-Rho but also incorporated the alpha and omega symbols, representing Christ as both the beginning and end. One remarkable find is an early Christian sarcophagus from 4th century Rome that features a beautifully decorated lamp with intricate details of the Chi-Rho symbol. This terracotta masterpiece showcases how deeply rooted this monogram was in early Christianity. Moving to Ravenna's Basilica of San Vitale in Italy's Emilia Romagna region, we encounter an awe-inspiring apse half-dome adorned with stunning mosaics depicting various scenes from biblical narratives. Among these masterpieces lies another depiction of the Chi-Rho symbol, emphasizing its significance within religious art. Even columbarium tomb plaques made between 500-800 AD feature this iconic monogram prominently carved into terracotta. These plaques serve as reminders of Christ's presence even in death and reflect how widely recognized and revered it had become during that time. A marble Christian sarcophagus discovered in Catacombs of St. Domitilla further illustrates devotion to Christ through scenes such as His arrest before Pontius Pilate. The inclusion of the Chi-Rho on this intricately designed piece highlights its importance within early Christianity. Not limited to tombs or catacombs alone, Emperor Justinian I himself embraced this powerful emblem along with his retinue depicted in a mesmerizing mosaic dating back to around 547 AD.