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Isaac (after) Cruikshank Collection

Choose a picture from our Isaac (after) Cruikshank Collection for your Wall Art and Photo Gifts

60 items

Background imageIsaac (after) Cruikshank Collection: An Officer of the Life Guards, 1815 circa (oil on canvas)

An Officer of the Life Guards, 1815 circa (oil on canvas)
5920304 An Officer of the Life Guards, 1815 circa (oil on canvas) by Jones, George (1786-1869) (attr.to); National Army Museum, London; (add.info.: An Officer of the Life Guards, 1815 circa)

Background imageIsaac (after) Cruikshank Collection: Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 14: in the street

Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 14: in the street
7242672 Interior, the southern chapel (chapel of St. James?), murals, 1594 (?), scene 14: in the street, a little girl coming out of a well, supported by women; St

Background imageIsaac (after) Cruikshank Collection: The Spectre's Bride, 1932 (photo)

The Spectre's Bride, 1932 (photo)
7206694 The Spectre's Bride, 1932 (photo); Muzeum Bedricha Smetany (Music Museum), Prague, Czech Republic; (add.info.: Autograph and portrait of Bohuslav Martinů)

Background imageIsaac (after) Cruikshank Collection: The French composer Camille Saint-Saens (1835-1921) conducts the opera Parysatis at the Beziers

The French composer Camille Saint-Saens (1835-1921) conducts the opera Parysatis at the Beziers arenas in August 1903
7243324 The French composer Camille Saint-Saens (1835-1921) conducts the opera Parysatis at the Beziers arenas in August 1903 (photo) by French Photographer

Background imageIsaac (after) Cruikshank Collection: Reception room, dated 1705

Reception room, dated 1705
7242677 Reception room, dated 1705; (add.info.: Reception room, 1706 Oudenaarde, Bernarduscollege, gewezen casselrij, Oost-Vlaanderen, Belgium); © Paul Maeyaert. All rights reserved 2024

Background imageIsaac (after) Cruikshank Collection: Autograph and portrait of Bedřich Smetana, 1863-1866 (photo)

Autograph and portrait of Bedřich Smetana, 1863-1866 (photo)
7206695 Autograph and portrait of Bedřich Smetana, 1863-1866 (photo); Muzeum Bedricha Smetany (Music Museum), Prague, Czech Republic; (add.info)

Background imageIsaac (after) Cruikshank Collection: Twelve Lenox Porcelain Gold-Ground Monogrammed Botanical Place Plates, c.1906 (porcelain)

Twelve Lenox Porcelain Gold-Ground Monogrammed Botanical Place Plates, c.1906 (porcelain)
7205895 Twelve Lenox Porcelain Gold-Ground Monogrammed Botanical Place Plates, c.1906 (porcelain); diam: 26.4 cm; Private Collection; (add.info.: Each painted with an orchid specimen)

Background imageIsaac (after) Cruikshank Collection: Twelve Lenox Porcelain Gold-Ground Monogrammed Botanical Place Plates, c.1906 (porcelain)

Twelve Lenox Porcelain Gold-Ground Monogrammed Botanical Place Plates, c.1906 (porcelain)
7205893 Twelve Lenox Porcelain Gold-Ground Monogrammed Botanical Place Plates, c.1906 (porcelain); diam: 26.4 cm; Private Collection; (add.info.: Each painted with an orchid specimen)

Background imageIsaac (after) Cruikshank Collection: Twelve Lenox Porcelain Gold-Ground Monogrammed Botanical Place Plates, c.1906 (porcelain)

Twelve Lenox Porcelain Gold-Ground Monogrammed Botanical Place Plates, c.1906 (porcelain)
7205889 Twelve Lenox Porcelain Gold-Ground Monogrammed Botanical Place Plates, c.1906 (porcelain); diam: 26.4 cm; Private Collection; (add.info.: Each painted with an orchid specimen)

Background imageIsaac (after) Cruikshank Collection: WW2 Volga Tartar Volunteers armshield, c. 1939-45 (object)

WW2 Volga Tartar Volunteers armshield, c. 1939-45 (object)
7177607 WW2 Volga Tartar Volunteers armshield, c. 1939-45 (object); Private Collection; (add.info.: Volga Tartar Volunteers cloth armshield)

Background imageIsaac (after) Cruikshank Collection: The flight of Gaius Gracchus

The flight of Gaius Gracchus
7177191 The flight of Gaius Gracchus; Private Collection; (add.info.: Gaius Gracchus fleeing across a wooden bridge over the Tiber in an attempt to escape the Roman consuls)

Background imageIsaac (after) Cruikshank Collection: Quintus Hortensius Hortalus

Quintus Hortensius Hortalus
7177190 Quintus Hortensius Hortalus; Private Collection; (add.info.: Quintus Hortensius Hortalus, 114-50 BC. Famous Roman lawyer, renowned orator and statesman)

Background imageIsaac (after) Cruikshank Collection: Roman theatrical masks

Roman theatrical masks
7177145 Roman theatrical masks; Private Collection; (add.info.: Roman theatrical masks. The masks were quite large and covered the actor's entire head, they were also colour coded)

Background imageIsaac (after) Cruikshank Collection: Piazza and church of San Pier Maggiore, Florence, 18th century

Piazza and church of San Pier Maggiore, Florence, 18th century
7177127 Piazza and church of San Pier Maggiore, Florence, 18th century; Private Collection; (add.info.: Piazza San Pier Maggiore and the church of San Pier Maggiore, Florence, Tuscany, Italy)

Background imageIsaac (after) Cruikshank Collection: Immigrants in New York, 1870's

Immigrants in New York, 1870's
7177120 Immigrants in New York, 1870's.; Private Collection; (add.info.: A newly arrived European immigrant and his family carrying all their belongings walk through the streets of New York)

Background imageIsaac (after) Cruikshank Collection: Diagram of a pump worked by means of bellows, illustration from De Machinis

Diagram of a pump worked by means of bellows, illustration from De Machinis (pen and ink and w / c on paper)
XIR370213 Diagram of a pump worked by means of bellows, illustration from De Machinis (pen and ink and w/c on paper) by Mariano di Jacopo (detto il Taccola) (1382-c.1453) (after)

Background imageIsaac (after) Cruikshank Collection: Anselm Feuerbach, German painter (litho)

Anselm Feuerbach, German painter (litho)
7172241 Anselm Feuerbach, German painter (litho) by Feuerbach, Anselm (1829-80); Private Collection; (add.info.: Anselm Feuerbach (1829-1880), German painter

Background imageIsaac (after) Cruikshank Collection: The Unknown Tongues: No VI - Hecates Kitchen, or the Last Process of 'Curing'Tongues (engraving)

The Unknown Tongues: No VI - Hecates Kitchen, or the Last Process of "Curing"Tongues (engraving)
7172240 The Unknown Tongues: No VI - Hecates Kitchen, or the Last Process of " Curing" Tongues (engraving) by Cruikshank

Background imageIsaac (after) Cruikshank Collection: Nocturnal Orgies;or, a 'Vision of Tongues. 'Tongues'Versus Generals (engraving)

Nocturnal Orgies;or, a "Vision of Tongues. "Tongues"Versus Generals (engraving)
7172237 Nocturnal Orgies; or, a " Vision of Tongues." " Tongues" Versus Generals (engraving) by Cruikshank

Background imageIsaac (after) Cruikshank Collection: The Gifts of Healing No I (engraving)

The Gifts of Healing No I (engraving)
7172233 The Gifts of Healing No I (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: The Gifts of Healing No I)

Background imageIsaac (after) Cruikshank Collection: All the worlds a stage, and men and women merely players. Vide Shakespeare (engraving)

All the worlds a stage, and men and women merely players. Vide Shakespeare (engraving)
7172228 All the worlds a stage, and men and women merely players. Vide Shakespeare (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: All the worlds a stage)

Background imageIsaac (after) Cruikshank Collection: 'Sir Andews measure will not meet the views of those who dinners hot on Sunday lose,

"Sir Andews measure will not meet the views of those who dinners hot on Sunday lose,
7172219 " Sir Andews measure will not meet the views of those who dinners hot on Sunday lose, and, if restricted by this pye-house Saint, the crowd who bake

Background imageIsaac (after) Cruikshank Collection: We went where, in the Civil Courts, Uncourtly and uncivil, Just-asses sat in wigs to judge The

We went where, in the Civil Courts, Uncourtly and uncivil, Just-asses sat in wigs to judge The followers of the Devil
7172218 We went where, in the Civil Courts, Uncourtly and uncivil, Just-asses sat in wigs to judge The followers of the Devil (engraving) by Cruikshank

Background imageIsaac (after) Cruikshank Collection: Guardians of the Night (engraving)

Guardians of the Night (engraving)
7172197 Guardians of the Night (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: Guardians of the Night)

Background imageIsaac (after) Cruikshank Collection: Hornby Castle (engraving)

Hornby Castle (engraving)
7169831 Hornby Castle (engraving) by Pickering, George (1794-1857) (after); Private Collection; (add.info.: Hornby Castle)

Background imageIsaac (after) Cruikshank Collection: South East View of St Lukes Church, Liverpool (engraving)

South East View of St Lukes Church, Liverpool (engraving)
7169812 South East View of St Lukes Church, Liverpool (engraving) by Allom, Thomas (1804-72) (after); Private Collection; (add.info.: South East View of St Lukes Church, Liverpool)

Background imageIsaac (after) Cruikshank Collection: The Waves on the Sea-Shore (engraving)

The Waves on the Sea-Shore (engraving)
7169803 The Waves on the Sea-Shore (engraving) by English School, (19th century); Private Collection; (add.info.: The Waves on the Sea-Shore)

Background imageIsaac (after) Cruikshank Collection: General Beauharnais bids Farewell to Josephine (photogravure)

General Beauharnais bids Farewell to Josephine (photogravure)
7169721 General Beauharnais bids Farewell to Josephine (photogravure) by European School, (19th century); Private Collection; (add.info.: General Beauharnais bids Farewell to Josephine)

Background imageIsaac (after) Cruikshank Collection: The Unknown Tongues: No II - The Public Display (engraving)

The Unknown Tongues: No II - The Public Display (engraving)
7172231 The Unknown Tongues: No II - The Public Display (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: The Unknown Tongues: No II - The Public Display)

Background imageIsaac (after) Cruikshank Collection: Privilege of the entree granted to Aristocracy, not to necessity (engraving)

Privilege of the entree granted to Aristocracy, not to necessity (engraving)
7172226 Privilege of the entree granted to Aristocracy, not to necessity (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info)

Background imageIsaac (after) Cruikshank Collection: The Lords gifts turned into Short Commons (engraving)

The Lords gifts turned into Short Commons (engraving)
7172223 The Lords gifts turned into Short Commons (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: The Lords gifts turned into Short Commons)

Background imageIsaac (after) Cruikshank Collection: The Antiquated Trio (engraving)

The Antiquated Trio (engraving)
7172216 The Antiquated Trio (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: The Antiquated Trio)

Background imageIsaac (after) Cruikshank Collection: The Devils Drawing Room (engraving)

The Devils Drawing Room (engraving)
7172195 The Devils Drawing Room (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: The Devils Drawing Room.); © Look and Learn

Background imageIsaac (after) Cruikshank Collection: Conservation of rotten boroughs, & preservation of plebeian limbs very different (engraving)

Conservation of rotten boroughs, & preservation of plebeian limbs very different (engraving)
7172227 Conservation of rotten boroughs, & preservation of plebeian limbs very different (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info)

Background imageIsaac (after) Cruikshank Collection: A tavern changed into a pump! A type of times to come (engraving)

A tavern changed into a pump! A type of times to come (engraving)
7172225 A tavern changed into a pump! A type of times to come (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: A tavern changed into a pump)

Background imageIsaac (after) Cruikshank Collection: The New Bailey Prison, Lying-in Hospital, etc Salford (engraving)

The New Bailey Prison, Lying-in Hospital, etc Salford (engraving)
7169852 The New Bailey Prison, Lying-in Hospital, etc Salford (engraving) by English School, (19th century); Private Collection; (add.info.: The New Bailey Prison, Lying-in Hospital, etc Salford)

Background imageIsaac (after) Cruikshank Collection: So turn d we to our box, and saw, Alas! that e er we should, A charming actress singing to a

So turn d we to our box, and saw, Alas! that e er we should, A charming actress singing to a charming bit of Wood
7172221 So turn d we to our box, and saw, Alas! that e er we should, A charming actress singing to a charming bit of Wood

Background imageIsaac (after) Cruikshank Collection: The Gifts of Healing No II (engraving)

The Gifts of Healing No II (engraving)
7172239 The Gifts of Healing No II (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: The Gifts of Healing No II)

Background imageIsaac (after) Cruikshank Collection: The Unknown Tongues: No I - The Private Rehearsal (engraving)

The Unknown Tongues: No I - The Private Rehearsal (engraving)
7172232 The Unknown Tongues: No I - The Private Rehearsal (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: The Unknown Tongues: No I - The Private Rehearsal)

Background imageIsaac (after) Cruikshank Collection: The Plot - a Scene of Nightly Occurrence (engraving)

The Plot - a Scene of Nightly Occurrence (engraving)
7172198 The Plot - a Scene of Nightly Occurrence (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: The Plot - a Scene of Nightly Occurrence)

Background imageIsaac (after) Cruikshank Collection: Elmley Lovet (engraving)

Elmley Lovet (engraving)
7169456 Elmley Lovet (engraving) by English School, (19th century); Private Collection; (add.info.: Elmley Lovet. Illustration for The Ancient Half-Timbered Houses of England by M Habershon)

Background imageIsaac (after) Cruikshank Collection: Sacerdotal Amusements; or, the Priest in His Leisure Hours (engraving)

Sacerdotal Amusements; or, the Priest in His Leisure Hours (engraving)
7172236 Sacerdotal Amusements; or, the Priest in His Leisure Hours (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: Sacerdotal Amusements; or)

Background imageIsaac (after) Cruikshank Collection: Outward, & visible signs of hypocritical & selfish gratification (engraving)

Outward, & visible signs of hypocritical & selfish gratification (engraving)
7172222 Outward, & visible signs of hypocritical & selfish gratification (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: Outward)

Background imageIsaac (after) Cruikshank Collection: Cross-Patch (engraving)

Cross-Patch (engraving)
7177664 Cross-Patch (engraving) by English School, (19th century); Private Collection; (add.info.: Cross-Patch. Illustration for The Comic Annual by Thomas Hood)

Background imageIsaac (after) Cruikshank Collection: Victor Emanuel and Garibaldi at Teano (photogravure)

Victor Emanuel and Garibaldi at Teano (photogravure)
7169764 Victor Emanuel and Garibaldi at Teano (photogravure) by Ademollo, Carlo (1825-1911) (after); Private Collection; (add.info.: Victor Emanuel and Garibaldi at Teano)

Background imageIsaac (after) Cruikshank Collection: The Unknown Tongues: No III - The Manufactory (engraving)

The Unknown Tongues: No III - The Manufactory (engraving)
7172235 The Unknown Tongues: No III - The Manufactory (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: The Unknown Tongues: No III - The Manufactory)

Background imageIsaac (after) Cruikshank Collection: J Bull triumphant, - or - Sense v Nonsense (engraving)

J Bull triumphant, - or - Sense v Nonsense (engraving)
7172203 J Bull triumphant, - or - Sense v Nonsense (engraving) by Cruikshank, Isaac (1756-1811) (after); Private Collection; (add.info.: J Bull triumphant, - or - Sense v Nonsense)

Background imageIsaac (after) Cruikshank Collection: The Originator of the Farce of the 'Unknown Tongues, 'in his fivefavorite and studied attitudes

The Originator of the Farce of the "Unknown Tongues, "in his fivefavorite and studied attitudes
7172244 The Originator of the Farce of the " Unknown Tongues, " in his fivefavorite and studied attitudes, with a concerted " Scene" in the Chapel (engraving) by Cruikshank



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