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Land of the Ottawa and Kilistine Indians around Lake Superior and a supplement of eastern Florida, engraving by G. Zuliani taken from Tome I of the "Newest Atlas"published in Venice in 1778 by Antonio Zatta, Private Collection
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Land of the Ottawa and Kilistine Indians around Lake Superior and a supplement of eastern Florida, engraving by G. Zuliani taken from Tome I of the "Newest Atlas"published in Venice in 1778 by Antonio Zatta, Private Collection
3572551 Land of the Ottawa and Kilistine Indians around Lake Superior and a supplement of eastern Florida, engraving by G. Zuliani taken from Tome I of the " Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection by Zuliani, G. (18th century); (add.info.: Artist: Zuliani G.
Date of Artwork: 1778
Location: Florence
Photographer: Alinari); Alinari Archives, Florence
Media ID 22971246
© Alinari Archives, Florence / Bridgeman Images
Abstract Concept And Symbol American Indians Anthropology Cartography Communication And Publicity Concept Or Subject Expressed Drawing And Graphics Ethnography And Folklore Geographical Or Topographical Map Graphics Iceland Icelander Icelandic Instrument And Document Movable Modern Work Native Populations Of The Americas North American Indians Population And Nationality Renaissance Baroque Styles And Periods Scene Means Of Communication Territory
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EDITORS COMMENTS
This print showcases an engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. The artwork depicts the Land of the Ottawa and Kilistine Indians around Lake Superior, along with a supplement of eastern Florida. The intricate details and skilled craftsmanship of this piece transport viewers back to the 18th century. The scene depicted in this engraving is not only a geographical or topographical map but also an allegory for communication and publicity during that time period. It beautifully captures the diverse native populations of the Americas, particularly focusing on North American Indians. The artist's use of renaissance baroque styles and periods adds depth and complexity to this movable modern work. Through his artistry, Zuliani manages to convey abstract concepts such as population and nationality, anthropology, geography, ethnography, folklore, writing, communication, and even symbolism. As we observe this remarkable piece closely, we are drawn into a world where sea meets land amidst islands scattered across vast lakes. This engraving serves as both an instrument and document that offers insights into early 18th-century European perspectives on these regions. Overall, this print provides us with a unique glimpse into history through its combination of cartography and artistic expression. It reminds us how art can serve as a powerful means to understand different cultures while appreciating their beauty at the same time.
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