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German Luxury, or Repos a l Allemand, published by Hannah Humphrey in 1800
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German Luxury, or Repos a l Allemand, published by Hannah Humphrey in 1800
NCO190167 German Luxury, or Repos a l Allemand, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: portrait of King Frederick Wilhem III of Prussia (1770-1840); ); English, out of copyright
Media ID 22339878
© Bridgeman Images
Bedroom Bicorn Boots Chamber Pot Daydreaming Duvet Feather In Bed Lazy Mattress Pillow Plume Relaxing Resting Scabbard Sheath Wash Basin Prussian
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German Luxury, or Repos a l Allemand - A Satirical Glimpse into Prussian Royalty
EDITORS COMMENTS
. This hand-coloured etching, published by Hannah Humphrey in 1800, offers a humorous and satirical portrayal of King Frederick Wilhem III of Prussia. Titled "German Luxury, or Repos a l Allemand" the artwork provides an amusing insight into the opulent lifestyle enjoyed by the monarch. In this whimsical scene, we find King Frederick comfortably reclining on his bed adorned with a feather duvet and plush pillows. His red nightcap adds a touch of playfulness to his regal appearance while his impressive moustache exudes authority. With feet casually hanging over the edge of the mattress, he seems entirely at ease. The room is filled with elements that reflect both luxury and idleness. From the bicorn hat resting on top of a chamber pot to smoking pipes scattered around and boots carelessly thrown aside – it is evident that relaxation takes precedence over royal duties for this caricatured king. Amidst this scene of indulgence, Gillray's masterful engraving captures every detail meticulously. The soldier's scabbard hangs from one side as he daydreams while holding onto his sword. The presence of newspapers strewn across suggests an escape from reality through reading. With its witty commentary on Prussian royalty and its meticulous execution, "German Luxury" remains an intriguing piece within James Gillray's body of work. Courtesy of
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