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A Vestal of -93, trying on the Cestus of Venus, pub. 1793 (hand coloured engraving)

A Vestal of -93, trying on the Cestus of Venus, pub. 1793 (hand coloured engraving)


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A Vestal of -93, trying on the Cestus of Venus, pub. 1793 (hand coloured engraving)

3025382 A Vestal of -93, trying on the Cestus of Venus, pub. 1793 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Lady Henrietta Cecilia Johnston (1730 - 1817); ); The Stapleton Collection; English, out of copyright

Media ID 23261014

© The Stapleton Collection / Bridgeman Images

Admiring Amoretti Cherubim Crone Cupid Dressing Eros Grotesque Mirror Ovid Putti Quiver Reflection Social Satire Vain Winged Cherub Cherubs


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This hand-coloured engraving, titled "A Vestal of -93, trying on the Cestus of Venus" takes us back to the year 1793. Created by the renowned artist James Gillray, this piece is a satirical portrayal of Lady Henrietta Cecilia Johnston (1730-1817), who was known for her self-deluding and vain nature. The image depicts Lady Johnston standing before a mirror, dressed in fashionable Georgian attire. She gazes at her reflection with admiration while holding the mythical Cestus of Venus, a symbol of love and beauty. However, instead of exuding elegance and grace like the ancient bas relief she emulates, Lady Johnston appears grotesque and aged. Gillray's social satire cleverly mocks society's obsession with fashion and vanity during that era. The inclusion of Cupid with his bow and arrow adds an element of irony as it contrasts with Lady Johnston's unattractive appearance. This print captures both the absurdity and ugliness behind excessive vanity. It serves as a reminder that true beauty lies beyond physical appearances and cannot be achieved through material possessions or superficial adornments. With its detailed engravings showcasing various elements such as cherubs, putti, quivers, and wings, this artwork exemplifies Gillray's mastery in creating intricate compositions that convey powerful messages through visual storytelling. Now preserved in a private collection within The Stapleton Collection, this engraving continues to captivate viewers today with its timeless critique on societal

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