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Portrait of Jane Moresley, 1827 (oil on card)

Portrait of Jane Moresley, 1827 (oil on card)


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Portrait of Jane Moresley, 1827 (oil on card)

2831043 Portrait of Jane Moresley, 1827 (oil on card) by Rippingille, Edward Villiers (1798-1859); 41x34.5 cm; Bristol Museum and Art Gallery, UK; (add.info.: a framed portrait, probably in its original frame with old glass. The face is painted to completion, the rest of the figure and background are sketched in with thin oil paint.
); eBristol Museums, Galleries & Archives; Purchased with the assistance of the Friends of Bristol Art Gallery and the MLA/V&A Purchase Grant Fund, 2006.; English, out of copyright

Media ID 22703390

© Bristol Museums, Galleries & Archives Purchased with the assistance of the Friends of Bristol Art Gallery and the MLA/V&A Purchase Grant Fund, 2006. / Bridgeman Images

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> Arts > Art Movements > Landscapes

> Arts > Artists > R > Edward Villiers Rippingille

> Arts > Contemporary art > Landscapes > Portraits

> Arts > Contemporary art > Portraits > Landscape paintings

> Arts > Fine Art

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings

> Arts > Still life artwork > Landscape paintings > Portraits

> Arts > Portraits

> Fine Art Finder > Artists > Edward Villiers Rippingille

> Fine Art Finder > Artists > James Johnson

> Fine Art Finder > Women 19th And Early 20th Century


EDITORS COMMENTS
This portrait print showcases "Portrait of Jane Moresley, 1827" by Edward Villiers Rippingille. The painting, done in oil on card, measures 41x34.5 cm and is currently housed at the Bristol Museum and Art Gallery in the UK. The image depicts a young woman named Jane Moresley seated elegantly against a landscape backdrop. Rippingille's attention to detail is evident in his meticulous rendering of Jane's face, which is painted to completion with great skill and precision. However, the rest of her figure and the background are sketched in using thin oil paint strokes. The framed portrait appears to be preserved in its original frame with old glass, adding an air of authenticity to this timeless piece. Its regency-era aesthetic exudes grace and beauty as it captures Jane's youthful charm. Purchased with assistance from the Friends of Bristol Art Gallery and the MLA/V&A Purchase Grant Fund in 2006, this artwork exemplifies English artistry from centuries past. With its delicate brushwork and exquisite composition, it serves as a testament to Rippingille's talent as well as a window into early nineteenth-century portraiture. This stunning print offers viewers an opportunity to appreciate both historical significance and artistic mastery while immersing themselves in the elegance of Jane Moresley's world.

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