Regency Collection

Portrait of Jane Austen (1775-1817) (w / c on paper)
XZL151841 Portrait of Jane Austen (1775-1817) (w/c on paper) by English School, (18th century); Private Collection; English, out of copyright

I hope Mr. Bingley will like it, illustration from Pride & Prejudice
XJF451372 I hope Mr. Bingley will like it, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr)

PRIDE & PREJUDICE, 1894. Elizabeth Bennet overhears Mr Darcy at the Ball. Illustration by Hugh Thomson from the 1894 edition of Jane Austens Pride and Prejudice, originally published in 1813

Irish gentleman in a whisky bar in Dublin prison, 1821
Irish gentleman in Croftons whisky and beer bar in Dublin prison, 1821. Bankrupt Brian Boru with his friends in the taproom drinking with criminals and debtors. The Tap in Sheriffs Prison

Mr. Darcy with him, illustration from Pride & Prejudice by Jane Austen
XJF466203 Mr. Darcy with him, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr. Darcy and Mr)

AUSTEN: PRIDE & PREJUDICE. Elizabeth Bennet overhears Mr. Darcy at the Ball. Illustration by Hugh Thomson from an 1894 edition of Jane Austens Pride and Prejudice, first published in 1813

Oxton House, Devon, seat of Rev. John Beaumont Swete. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1827

Pynes House, Exeter, Devon, 1825
Pynes House, Exeter, Devon, the seat of Sir Stafford Henry Northcote 1792-1850. Queen Anne style red brick house with slate roof and four brick chimney stacks built by architect Inigo Jones

His Majestys Ship, the Victory (coloured engraving)
RNM286342 His Majestys Ship, the Victory (coloured engraving) by English School; National Museum of the Royal Navy, Portsmouth, Hampshire, UK; (add.info.: a first rate carrying 116 guns and 960 men)

Tenderly flirting, illustration from Pride & Prejudice by Jane Austen
XJF451387 Tenderly flirting, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

View of the River Wye and Old Wye Bridge at Chepstow
View of the River Wye (at low tide) at Chepstow, Monmouthshire, Wales. The scene is dominated by the Old Wye Bridge, constructed of cast iron during the Regency period in 1816

Gardener from Sense and Sensibility
The gardeners lamentation upon blights, an illustration to Sense and Sensibility by Jane Austen, first published 1811. Date: 1908

A Shared Confidence
BAL55718 A Shared Confidence by Soulacroix, Joseph Frederick Charles (1825-79); Fine Art of Oakham Ltd. Leicestershire, UK; French, out of copyright

A View of Osmington Village with the Church and Vicarage, 1816 (oil on canvas)
XYC158030 A View of Osmington Village with the Church and Vicarage, 1816 (oil on canvas) by Constable, John (1776-1837); 25.7x30.5 cm; Yale Center for British Art, Paul Mellon Collection

An illustration of a courtship
A scene by Marcus Stone (1840-1921) of a young Regency couple relaxing together on a summers evening

Riding Dress 1819 Men
Top hat, high white cravat, blue fob ribbon, trousers, riding boots & spurs, brown coat with tails, knuckle length cuffs & cut away to reveal the waistcoat

Beef, Veal, Pork, and Mutton Cuts, 1802 (engraving) (b / w photo)
XJF271073 Beef, Veal, Pork, and Mutton Cuts, 1802 (engraving) (b/w photo) by English School, (19th century); Private Collection; English, out of copyright

Kashmir Shawl Dress 1810
Red evening shawl dress created from a Kashmir shawl has short puffed sleeves & is worn over a habit shirt. She carries a green shawl & wears a pearl bandeau in her hair. Date: 1810

Regatta at Chelsea
Unspecified regatta on the Thames between Chelsea & Battersea attended by fashionable spectators & rowers. NB Royal Hospital & Doggetts coat & badge. Date: circa 1815

Lady Wearing a Spencer
One woman wears a fur-lined spencer the other a pelisse. Fashions of around 1805 according to a later source

COSTUME FOR 1815-1820
French & German dress 1815-20 according to a later source: cut-away coat & white trousers, pelisse with mancherons & dresses with profusely trimmed hemlines

Swinging Fashions C. 1810
White robes: sleeves with a double puff, scalloped hem & worn with boots, a net cap & a fringed shawl tied at the back or with vandyked hem & pantelettes

Tiny Parasol Circa 1810
White muslin dress with high stand collar & single ruff worn with a pale green spencer with collar & lapels, matching boots, a lace cap & a small hat. Her parasol is tiny

Male Riding Dress 1813
Double-breasted cut-away coat worn open to reveal a white waistcoat with stand collar, shirt frill & white stock, leather breeches with falls, top boots, spurs & top hat

William Pitt the Younger (1759-1806) (oil on canvas)
XCF266008 William Pitt the Younger (1759-1806) (oil on canvas) by Hoppner, John (1758-1810); Private Collection; English, out of copyright

PRIDE & PREJUDICE. Illustration by Hugh Thomson for an 1894 edition of Jane Austens novel Pride and Prejudice, first published in 1813

Kings Lynn DP217305
Nelson Street, Kings Lynn, Kings Lynn And West Norfolk. Nelson Street, looking north from adjacent to number 10, August 2017

Kings of England, reproduction of possibly the first jigsaw puzzle, c
1772350 Kings of England, reproduction of possibly the first jigsaw puzzle, c.1820, from The Sketch Magazine, Coronation Number, published 1937 (colour litho) by English School

AUSTEN: PRIDE & PREJUDICE. Mrs. Long and her nieces. Illustration by Hugh Thomson for an 1894 edition of Jane Austens novel Pride and Prejudice, first published in 1813

When the party entered, illustration from Pride & Prejudice by Jane Austen
XJF451373 When the party entered, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Cossack Trousers 1820
Furry top hat, cut-away coat with long narrow tails, fawn colour cossack trousers, red under-waiscoat, shawl waistcoat, fob ribbon, watch seals & chain & tie-pin

Man & Quizzing Glass
Blue cravat, tartan under- waistcoat, D-B waistcoat with pointed front, grey woollen pantaloons, brown frock coat: gigot sleeves, black lining, roll collar & lapels

Nankeen Trousers 1818
Pink striped waistcoat, blue tight fitting double-breasted coat with hip pocket, velvet collar, narrow tails & padded shoulders & top hat, nankeen trousers & black pumps

Introduced... as Mr Henry Tilney, 1907 (illustration)
2963088 Introduced.....as Mr Henry Tilney, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Walberton House, 1835. Creator: Dean Wolstenholme
Walberton House, (1835). Grade II listed Regency manor house in Walberton, Sussex, built by Robert Prime in 1817. Antique engraving by Dean Wolstenholm after a drawing by Thomas Henwood

AUSTEN: EMMA, 1896. He stopped to look the question. Illustration by Hugh Thomson for an 1896 edition of Jane Austens Emma, first published in 1815

PRIDE & PREJUDICE, 1894. She wanted to compose her own feelings and to make herself agreeable to all. Elizabeth Bennet entertaining Mr. Darcy, his sister, and Mr. Bingley

Evening Dresses for August 1808, illustration from Le Beau Monde or, Literary
XZL150483 Evening Dresses for August 1808, illustration from Le Beau Monde or, Literary and Fashionable Magazine, 1808 (coloured engraving) by English School

East View of Brighton from Kemp Town, 1835. Creator: Dean Wolstenholme
East View of Brighton from Kemp Town, 1835. Antique engraving by Dean Wolstenholme Junior after Thomas Henwood. From " The History, Antiquities, and Topography of the County of Sussex

Evening full dress 1807
Evening full dress, woman wearing plain blue dress, cut low and square at front, fastened in the center with a broach, white satin sleeves caught up with broaches, trimmed with swansdown

AUSTEN: PRIDE & PREJUDICE. Mrs. Long and her nieces. Illustration by Hugh Thomson for an 1894 edition of Jane Austens novel Pride and Prejudice, first published in 1813

AUSTEN: PRIDE & PREJUDICE. Mary Bennet entertaining the party at Netherfield. Illustration by Hugh Thomson for an 1894 edition of Jane Austens novel Pride and Prejudice, first published in 1813

ALMACKs CLUB, c1815. Member of English high society in the ballroom of Almacks Assembly Rooms in London, England, during the Regency. Line engraving, 1890

Brompton in 1822 by George Scharf
View of Brompton in West London in 1822 with what looks like a market garden on the left, backed by country houses and poplars. On the right appears a sign bearing the words, Bishops Palace

Regency Building
This house (or shop front) of the Regency period is a gem, with its bow windows and iron- railed balcony, at Thaxted, Essex, England. Date: circa 1800

Autumn Girl 1814
A young girl, wearing a charming Regency style dress, coat and bonnet walks through a meadow strewn with autumn leaves

Imperial Gardens and Regency Terrace, Cheltenham, Gloucestershire, England, UK, Europe

Silk Topper & Crop 1824
Tall silk top hat, pink striped English cravat, single-breasted brown frock coat with roll collar, yellow waistcoat, white strapped trousers & riding crop

All Professionally Made to Order for Quick Shipping

Step into the enchanting world of regency, where romance and societal norms intertwine. From the elegant ballrooms to picturesque countryside estates, this era captivates hearts with its timeless allure. As we delve into the pages of Pride & Prejudice, we witness Elizabeth Bennet's anticipation, hoping that Mr. Bingley will appreciate her charm and wit. Jane Austen herself comes alive through a delicate watercolor portrait, capturing her essence as she penned these beloved stories. Transport yourself to the grandeur of Oxton House in Devon, Reverend John Beaumont Swete's seat, or wander through Pynes House in Exeter circa 1825 – both embodying the opulence and refinement architecture. Immerse yourself further as you eavesdrop on Elizabeth overhearing Mr. Darcy at a captivating ball; their complex relationship unfolds against a backdrop of swirling gowns and whispered secrets. Sense and Sensibility introduces us to an endearing gardener who adds depth to Austen's narrative tapestry. The majestic His Majesty's Ship Victory takes center stage in colored engravings – a symbol of Britain's naval prowess during this period. Tender flirtations dance across illustrated pages from Pride & Prejudice; each stroke revealing the intricate courtship rituals that defined society then. Gaze upon Chepstow's Old Wye Bridge spanning over the River Wye – an idyllic setting for stolen glances and shared confidences. Finally, find solace in Mr. Darcy himself as he graces us with his presence once more within Austen's masterpiece. Regency whispers echo through time as we immerse ourselves in this captivating era filled with love, longing, and genteel manners.