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Purple Linar - Lithography by James Sowerby (1757-1822), from William Curtis's Botanical Magazine (1746-1799), 1789 (England) - Purple toad-flax, Linaria purpurea (Antirrhinum purpureum)
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Purple Linar - Lithography by James Sowerby (1757-1822), from William Curtis's Botanical Magazine (1746-1799), 1789 (England) - Purple toad-flax, Linaria purpurea (Antirrhinum purpureum)
FLO4586282 Purple Linar - Lithography by James Sowerby (1757-1822), from William Curtis's Botanical Magazine (1746-1799), 1789 (England) - Purple toad-flax, Linaria purpurea (Antirrhinum purpureum) - Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Curtis's " Botanical Magazine, " Lambeth, London, 1789 by Sowerby, James (1757-1822); (add.info.: Purple Linar - Lithography by James Sowerby (1757-1822), from William Curtis's Botanical Magazine (1746-1799), 1789 (England) - Purple toad-flax, Linaria purpurea (Antirrhinum purpureum) - Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Curtis's " Botanical Magazine, " Lambeth, London, 1789); © Florilegius
Media ID 28384648
© Florilegius / Bridgeman Images
Without People Botanical Board Britisch Britisch Florilegius Various Plants Without Anyone
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This print titled "Purple Linar" showcases the exquisite beauty of the Purple Toad-flax, scientifically known as Linaria purpurea (Antirrhinum purpureum). Created by James Sowerby in 1789 for William Curtis's Botanical Magazine, this lithograph is a testament to Sowerby's exceptional talent and attention to detail. The hand-colored copperplate engraving brings the delicate features of the flower to life, capturing its vibrant purple hues with precision. The intricate linework and meticulous shading highlight every petal and leaf, allowing viewers to appreciate the botanical intricacies of this stunning plant. Sowerby's work not only serves as an artistic masterpiece but also contributes significantly to our knowledge of various plants. His illustrations played a vital role in documenting botanical species during the 18th and 19th centuries, making them valuable resources for natural history enthusiasts. Displayed on a botanical board within William Curtis's renowned "Botanical Magazine" this print represents a significant era in England's floral exploration. It transports us back to Lambeth, London in 1789 when botany was at its peak, showcasing how art merged seamlessly with scientific discovery. As we admire this piece from Fine Art Finder by Bridgeman Images, we are reminded of nature's boundless wonders and the importance of preserving our rich botanical heritage. This enchanting print invites us into a world where art meets science—a realm where beauty intertwines with knowledge.
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