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The Head of a Girl looking to the left, (white and blue chalk on light brown paper)

The Head of a Girl looking to the left, (white and blue chalk on light brown paper)


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The Head of a Girl looking to the left, (white and blue chalk on light brown paper)

989992 The Head of a Girl looking to the left, (white and blue chalk on light brown paper) by Natoire, Charles Joseph (1700-77); 17.6x14 cm; Private Collection; (add.info.: The Head of a Girl looking to the left. Charles Joseph Natoire (1700-1777). White and blue chalk on light brown paper. 17.6 x 14cm.); Photo eChristies Images; French, out of copyright

Media ID 23292724

© Christie's Images / Bridgeman Images

Bust Length Chalk Charles Joseph Girl Alone Light Brown Paper Looking Sideways Looking Up Old Master Drawings Old Masters One Girl Only Quarter Length White Chalk Blue Chalk Charles Joseph Natoire Ethnic Origin Natoire Portrait Style Portraiture


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The Head of a Girl looking to the left

EDITORS COMMENTS
is a captivating portrait captured by Charles Joseph Natoire, an esteemed French artist from the 18th century. This exquisite print showcases Natoire's mastery in capturing human expressions and emotions through his exceptional use of white and blue chalk on light brown paper. Measuring at 17.6 x 14 cm, this delicate artwork draws you into the world of its subject - a young girl gazing off to her left with an air of contemplation. The fine artistry displayed in this piece highlights every intricate detail, from the texture of her skin to the subtle play of light and shadow on her face. Natoire's skillful technique brings forth a sense of realism that is truly mesmerizing. The girl's quarter-length portrayal allows us to focus solely on her expressive face and shoulders, creating an intimate connection between viewer and subject. The choice of colors adds depth and dimensionality to the composition, enhancing our understanding of the girl's mood as she gazes upwards with curiosity or perhaps introspection. Her caucasian ethnicity further adds layers to our interpretation, inviting us to ponder upon themes such as identity or cultural context. This old master drawing serves as a testament to Natoire's artistic prowess and his ability to capture not only physical likeness but also evoke emotion within viewers. It stands as a timeless representation of portraiture at its finest, offering us a glimpse into both the artist's talent and the inner world of his subjects.

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