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Pauline Bonaparte, Princess Borghese as Venus Triumphant, rear view, c. 1805-08 (marble) (see also 383164, 383166 to 170)
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Pauline Bonaparte, Princess Borghese as Venus Triumphant, rear view, c. 1805-08 (marble) (see also 383164, 383166 to 170)
ALI383165 Pauline Bonaparte, Princess Borghese as Venus Triumphant, rear view, c.1805-08 (marble) (see also 383164, 383166 to 170) by Canova, Antonio (1757-1822); Galleria Borghese, Rome, Lazio, Italy; (add.info.: Marie Paulette (1780-1825) en Venus triomphante; favourite sister of Napoleon (1769-1821); married to Camillo Borghese; Duchess of Guastalla; ); Alinari
Media ID 22925034
© Alinari / Bridgeman Images
Aphrodite Back Bandeau Bedding Cushion Deified Diefication Diety Divine Divinities Drapery Goddesses Great Bed Half Nude Headband Heavenly Heavenly Father Leaning Lying Neoclassical Reclining Venus Vénus Anadyomène Venus Aphrodite Venus De Milo Beds Divinity Furnish Home Furnishing Mythological Character Mythological Figure Myths Neo Classical Pagan Paganism Pagans Piece Of Furniture Polytheism Polytheist Upholstered Goods
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EDITORS COMMENTS
The print captures a stunning rear view of Pauline Bonaparte, Princess Borghese as Venus Triumphant. Created by the renowned sculptor Antonio Canova between 1805 and 1808, this marble sculpture showcases the beauty and grace of Pauline Bonaparte, who was not only Napoleon's favorite sister but also married to Camillo Borghese. In this neoclassical masterpiece, Pauline is depicted lying on a bed with delicate drapery cascading around her body. Her half-nude figure exudes sensuality and elegance, enhanced by her intricate hairstyle adorned with a headband. The artist has skillfully captured every detail of her back, showcasing the curves and contours that make her an embodiment of Aphrodite herself. The sculpture draws inspiration from ancient mythology, portraying Pauline as Venus – the goddess of love and beauty in Roman mythology. This depiction highlights both her physical allure and divine qualities. As she reclines gracefully on the bed with a cushion supporting her form, one cannot help but be captivated by the sheer magnificence of this piece. Displayed at Galleria Borghese in Rome, Italy, this artwork exemplifies Canova's mastery in creating lifelike sculptures that transcend time. It serves as a testament to his ability to capture not just physical beauty but also convey mythological narratives through his art. This photograph allows viewers to appreciate the intricacies of Canova's work while providing insight into the cultural significance of French neoclassicism during that era. It is truly an exquisite portrayal of feminine beauty intertwined with classical mythology.
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